The house at Vasilyevka. From the manuscript book “Hotchpotch” . The 1820s. “The Works of N.Gogol”. 10thedition. Vol.7. Moscow, 1889
Portrait of a woman. The 1820s (?). Pencil on paper. Reference Department, fund 3, No. 8178. Photocopy from the Shevchenko Museum of Ukrainian Literature. Kiev.
Institute of Russian Literature. Saint-Petersburg.
Landscape. The 1820s (?). Pencil on paper. Reference Department, fund 3, No. 8180. Photocopy from the Shevchenko Museum of Ukrainian Literature. Kiev.
Institute of Russian Literature. Saint-Petersburg.
Portrait of a woman. The 1820s (?). Pencil on paper. Reference Department, fund 3, No. 8177. Photocopy from the Shevchenko Museum of Ukrainian Literature. Kiev.
Institute of Russian Literature. Saint-Petersburg.
Caricature in the draft of the poem “The New Year 1827”. 1826. Pencil on paper.
State Public Library. Saint-Petersburg.
A little dog. The 1820s. Pencil and watercolour on paper. 19.8 x 25.
State Public Library. Saint-Petersburg.
“The Prince of Wiirttemberg”. The early 1820s. Ink on paper. 17×9.7.
Institute of Russian Literature. Saint-Petersburg.
A marksman. 1831. Pencil on paper. 22×20.8.
State Public Library. Saint-Petersburg.
View of Finland. Drawing to the poem “My Artless Pencil. . .” 1831 (?). Pencil on paper. From the album of A.Baratynskaya.
Central State Archives of Literature and Art. Moscow.
Two warriors. 1822 (?). Pencil on paper. 9.5 x 8.
Institute of Russian Literature. Saint-Petersburg.
A tree. Illustration to E.-D.Parny’s poem “Bel arbre, pourquoi conserver . . .” 1831 (?). Pencil on paper. From the album of A.Baratynskaya.
Central State Archives of Literature and Art. Moscow.
Self-portrait in the text of the poem “The Mysteries of Love . . .?”. 1826. Pencil on paper.
Central State Archives of Literature and Art. Moscow.
Landscape with pine trees. The 1820s (?). Ink on paper.
Institute of Russian Literature. Saint-Petersburg.
Don Juan. Illustration to the drama “The Stone Guest”. 1830. Ink on paper.
Institute of Russian Literature. Saint-Petersburg.
“Dramatic Scenes”. Ink on paper. 1830.
Institute of Russian Literature. Saint-Petersburg.
Portrait of A. Delvig. 1829 (?). From the album of E.Ushakova. Pencil on paper.
Institute of Russian Literature. Saint-Petersburg.
Portrait of N. Gogol. 1833. Pencil on paper.
Institute of Russian Literature. Saint-Petersburg.
Portrait of A. Griboyedov. 1831. Pencil on paper.
Institute of Russian Literature. Saint-Petersburg.
Portrait of E. Baratynsky in the draft of the second canto of the poem “Poltava”. 1828. Ink on paper.
Institute of Russian Literature. Saint-Petersburg.
Cover of the manuscript text of the article “Voltaire”. 1836. Ink on paper.
Institute of Russian Literature. Saint-Petersburg.
Illustration to “The Tale of the Priest and His Workman Balda”. 1830. Pencil and ink on paper.
Institute of Russian Literature. Saint-Petersburg.
Vignette to the poem “The Wanderer”. 1835. Ink on paper.
Institute of Russian Literature. Saint-Petersburg.
The funeral procession. Illustration to the story “The Undertaker”. 1830. Ink on paper.
Institute of Russian Literature. Saint-Petersburg.
The tea party. Illustration to the story “The Undertaker”. 1830. Ink on paper.
Institute of Russian Literature. Saint-Petersburg.
Self-portrait in a felt cloak, on horseback. 1829. From the album of E. Ushakova. Ink on paper.
Institute of Russian Literature. Saint-Petersburg.
A bird. Drawing in the title of “A History of the Village of Goryukhino”. 1830. Ink on paper.
Institute of Russian Literature. Saint-Petersburg.
Self-portrait. 1827-1830. From the album of E.Ushakova. Ink on paper.
Institute of Russian Literature. Saint-Petersburg.
Portrait of N. Pushkina in the draft of the poem “The Bronze Horseman”. 1833. Ink on paper.
Institute of Russian Literature. Saint-Petersburg.
Windswept landscape with a figure. Drawing in the draft of the first canto of the poem “Poltava”. 1828. Ink on paper.
Institute of Russian Literature. Saint-Petersburg.
The Daryal Canyon. Drawing in the text of the poem “Fearful and Sad”. 1829. Ink on paper.
Institute of Russian Literature. Saint-Petersburg
Pushkin and Onegin. Drawing in a letter to L.Pushkin, November 1824. Pencil on paper.
Institute of Russian Literature. Saint-Petersburg.
Portrait of D. Venevitinov in the draft of the introduction to chapters eight and nine of the novel “Eugene Onegin”. 1830. Ink on paper.
Institute of Russian Literature. Saint-Petersburg
Self-portrait, portraits of I. Pushchin, A. Delvig, V.Kukhelbeker and K.Ryleyev in the draft of chapter five of the novel “Eugene Onegin”. 1826. Ink on paper.
Institute of Russian Literature. Saint-Petersburg.
Portrait of D. Davydov in the draft of “Excerpts from Onegin’s Journey”. 1825. Ink on paper.
Institute of Russian Literature. Saint-Petersburg.
Two self-portraits. 1826. Ink on paper.
Institute of Russian Literature. Saint-Petersburg
Tatyana. Drawing in the draft of “Tatyana’s Letter to Onegin”. 1824. Ink on paper.
Institute of Russian Literature. Saint-Petersburg.
Self-portrait; M.Rayevskaya. Drawings in the draft of chapter one of the novel “Eugene Onegin”. 1823. Ink on paper.
Institute of Russian Literature. Saint-Petersburg
A page of the Russian Musical Gazette dedicated to the 50th anniversary of the Moscow Branch of the Russian Music Society (1912)
The mustal benefit club for students of the Conservatoire. Ye. V. Bogoslovsky, A.G. Schor, L.V. Nickolayev, M.S. Nemanova-Lunz (1905).
Participants of the students` performance. The Mandarins` Son. C.A. Ippolitov-Ivanov, condudtor of the performance, is in far left, and producing director N.N. Zvantsen is second from left (1917).
The programs of students`s operatic performances conducted by M.M. Ippolitov- Ivanov.
Mikhail Mikhailovich Ippolitov – Ivanov (1859-1935), composer, conductor, music and public figure. People`s Artist of the RSFSR. Teacer of harmony, instrumentation, free composition, operatic class (1893-1935, since 1893 – professor), director (1905-1918), rector (1918-1922).
A. N. Skrabin playing his poem Prometheus with orchestra conducted by S.A. Koussevitzky. Painting by L.O. Pasternak.
Alexsander Nickolayevich Scrabin (1872-1915), composer, pianist. Professor of piano (1898-1903). With his pupils.
The Conservatoire building after reconstruction (the 1900s).
Grand Hall of the Conservatoire: interior eragment (St. Cecily stainglass wimdow) of the foyer by the stalls (the 1900s).
The building reconstruction and new concert hall design for the Conservatoire.
A.V. Nezdhdanova (pupil of U.A. Masetti), V.R. Petrov (pupil of A.I. Barzal) and E. Gan (pupil of Ye. A. Lavrovskaya) during rehearsals for the students` examination performance of O. Nicolai`s opera Die lustigen Weiber von Windsor (the Bolshoi Theatre (1900)
Umberto Avgustovich Masetti (1869-1919), Italian singer. Professor of solo singing.
Lev (Leone) Giraldoni (1826-1897), Italian singer. Professor of solo singing (1890-1897).
Camilio Everardi (1825-1899), Italian singer. Professor of solo sining (1898-1899).
Varvara Mikhailovna Zarudnaya-Ivanova (1857-1939), singer. Professor of solo singing (1893-1924).
Concert program, featuring the performance of the Conservatotie Students` Orchestra conducted by V.I. Safonov 1890.
Vassily Iljich Safonov (1852-1918), pianist, conductor, music and public figure. Professor of piano, orchestral, choral and chamber ensemble (1885-1905), director (1889-1905).
Scene from the first production of S.V. Rachmaninov`s opera “Aleko”. The Bolshoi Theater 1893.
Concert program, featuring works by the Conservatoire student S.V. Rachmaninov 1892.
