Portrait of L. Perovsky in the draft of the article on “The Russian Peasant and Russian Economy”. 1842. Ink on paper.
State Public Library. Saint-Petersburg.
I. Turgenev (1818-1883) Male portrait. 1836. Ink on paper.
State Public Library. Saint-Petersburg.
Taman. 1837. Pencil on paper. 21×30.6.
Institute of Russian Literature. Saint-Petersburg.
Encounter of French cuirassiers and mounted chasseurs. 1832-1834. Pencil on paper. 17×21. In the “Cadets’ drawing book”.
Institute of Russian Literature. Saint-Petersburg.
Male and female portraits. 1832-1834. Pencil on paper. 17×21. In the “Cadets’ drawing book”.
Institute of Russian Literature. Saint-Petersburg.
Ammalat-Bek and Verkhovsky. Illustration to A.Bestuzhev-Marlinsky’s short novel “Ammalat-Bek”. 1832-1834. Pencil on paper. 17×21.
Institute of Russian Literature. Saint-Petersburg.
Mounted uhlans with lances. 1832-1834. Pencil on paper. 17×21. In the “Cadets’ drawing book”.
Institute of Russian Literature. Saint-Petersburg.
A mounted grenadier. 1832. Ink on paper. 22×17.1.
State Public Library. Saint-Petersburg.
Caucasian view with a saklya house. (The Georgian Military Highway at Mtskheta). 1837 (?). Oil on cardboard. 36 x 43.5.
Institute of Russian Literature. Saint-Petersburg.
“At Valerik: July 12”. 1840. Watercolor on paper. 18.1×25.2. From M.Lermontov’s sketchbook.
State Public Library. Saint-Petersburg.
Caucasian view with camels. (The neighborhood of the village of Karaagach in Kahetia). 1837 (?). Oil on canvas. 62×72.
Institute of Russian Literature. Saint-Petersburg.
A mounted highlander with a banner. 1836. Watercolor on paper. 9.2×15.7. From the album of M.Shan-Ghirei
State Public Library. Saint-Petersburg.
Portrait of A.Stolypin in traditional Kurdish costume. 1841. Watercolor on paper. 13.2×9.4.
Literature Museum. Moscow.
Portrait of V.Lopukhina. 1835 (?). Watercolor on paper. 8.8 x 14.5.
Institute of Russian Literature. Saint-Petersburg.
“The Duke Lerma”. 1833 (?). Oil on canvas. 60 x 52.
Institute of Russian Literature. Saint-Petersburg.
Cover of manuscript of the novel “Vadim”. 1832-1834. Ink on paper. 35.5 x 22.5.
Institute of Russian Literature. Saint-Petersburg.
Self-portrait. 1837-1838. Watercolor on paper. 10.8 x 9.4.
Literature Museum. Moscow.
A horse. The 1830s. Watercolour on paper. 9.2 x 15.7. From the album of M. Shan-Ghirei.
State Public Library. Saint-Petersburg.
M.Lermontov (1824-1841). A lonely sail. 1828-1832. Watercolor on paper. 9.2×15.7. From the album of M.Shan-Ghirei.
State Public Library. Saint-Petersburg.
N.Ogaryov (1813-1877) Landscape. 1834. Sepia on paper. 18.8×23.7.
Central State Archives of Literature and Art. Moscow.
P.Kireyevsky (1808-1856). A village church. Paper silhouette. The 1840s. 6×10. From the album of A. Yelagina.
Literature Museum. Moscow.
The silhouettes of E.Baratynsky. The 1840s. E. Baratynsky. “Poetical Works”. Moscow.
I.Kireyevsky (1806-1856) The silhouette of A.Pushkin. The 1840s.
Reinhold Moritzevich Gliere (1875-1956), composer and conductor. Professor of composition and polyphony (1920-1941).
P. Tchesnokov. Choir and Its Conducting. Teaching aid for choral conductors (1940).
Pavel Grigoryevich Tchesnokov (1877-1944), choral conductor, composer. Teacher of choral science and choral conducting (1920-1944, since 1921 – professor)
Nickolai Mikhailovich Danilin (1878-1945), choral conductor. Theater of special choral subjects (1923-1945, since 1930-professor).
Nickolai Alexandrovich Garbuzov (1880-1935), composer, musicologist. Professor of musical acoustics (1923-1951), director of the Research Instute at the Conservatoire (1934-1937), head of the acoustical laboratoty (1933-1948).
Nadezhda Yakovlevna Bryusova (1881-1951), music educator, musicologist. Teacher of theory of music and music folklore (1921-1943, since 1921- professor (1922-1928). Together with Semyon Isaakovich Schliefstein (1903-1975), a graduate of the Conservatoire, in the USSR peoples` history of music study (the 1940s).
Stanislav Teofilovich Shatsky (1878-1934), singer, music and public figure. Director (1932-1934).
Valentina Nickolayevna Shatskaya (nee Demyanova) 1882-1978, pianist, music and public figure. Teacher of methodology in music education for children (1932-1943), since 1935- professor, deputy director and acting director (1935-1939).
A.V. Lunachersky and M.M. Ippolitov-Ivanov among the jury of the competition for amateur button – accordion players. Hall of Columns of the House of Trade Unions (1930).
Poster announcing the Conservatoire postgraduates` concert in the Grand Hall of the Conservatoire (1929).
Poster announcing The Conservatoire graduates` concert in the Grand Hall of the Conservatoire (1932).
Poster announcing the concert dedicated to M.P. Musorgsky and held in the Grand Hall of the Conservatoire (1931).
Professor and teachers of the Conservatoire in the Small Hall of the Conservatoire (the 1930s).
S.P. Titov (father of cosmonaut G.S. Titov) before leaving for Moscow to study at the Workers` Faculty in the Conservatoire. (1930)
Teachers of the Faculty of Music and Pedagogy at the Conservatoire (the 1930s): S.S. Skrebkov, N.R. Kotler, N.M. Danilin, V.N. Shatskaya, B.V. Levik, A.V. Nickolsky.
Georgy Lvovich Katuar (1861-1926), composer, musicologist. Professor in theory of music and composition (1917-1926).
Georgy Edwardovich Couns (1862-1933), composer, musicologist. Teacher of theory of music and composition (1891-1899, 1920-1933, since 1920 – professor). With teachers and students of the Conservatoire. Standing are: I.P. Musian, V.V. Khvostenko, N.A. Sidushin, G. K. Pukst (1927).
Maria Adrianovna Deisha- Sionitskaya (1859-1932), singer Professor of solo singing (1921-1932).
Vera Nickolayevna Petrova-Zvantseva (1876-1944), singer. Professor of solo singing (1916-1932). Merited Art Worker of the RSFSR.
Program of the chamber concert performed by N.G. Raisky`s pupils in the Small Hell of the Conservatoire (1936).
Nazary Grigoryevich Raisky (1876-1958), singer, Teacher of solo singing. Teacher of solo singing (1919-1929, 1933-1949, since 1923 – professor), (1921-1929), director of the opera studio (1934-1935). Merited Art Worker of the RSFSR.
The Road of the October. Oratorio – “musical action in three links” for choir, soloists, piano, trumpet, button-accordion and percussion ensemble (1927), a composition jointly created by the following students – composers of the Conservatoire: V.A. Bely, G.S. Bruck, A.A. Dovidenko, M.V. Koval, Z.A. Levina, S.N. Ryauzov, V.M. Tarnopolsky, N.P. Chemberdzhi, B.S. Schechter.
Students-composers, who constituted the Production Collective of the Moscow Conservatoire. First row: M.V. Koval, D.A. Rabinovich, V.A. Bely, D. Gachev. Second row: Yu. V. Keldysh, L.N. Lebedinsky, S.A. Krylova, L.L. Kaltat. Third row: A. A. Davidenko, A.A. Solovtsov, S.I. Korev, N. Ya. Vygodsky, B.S. Stinpress (1927).
Alexander Dmitriyvich Kastalsky (1856-1926), composer, music folklorist, an authority on choral culture. Professor of choral singing (1922-1926).
Peasents of the village of Maleyevo in the vicinity of Moscow listen to the radio installed by students of the Conservatoire.
Secretaries of local groups of the Komsomol branch at the Conservatoire (1927): I. Ostrovsky, A.V. Bandina, A. Yevteyev.
The Conservatoire teachers and students participating in the demonstration on the 7th of November, 1923.
Program of the Conservatoire Students` Orchestra performance in the Small Hall of the Conservatoire (1918).
The Act effecting the transfer of the immovable of the Moscow Branch of the Russian Music Society into the care of the Moscow Conservatoire (1918).
The Decree on the Moscow and Petrograd Conservatoires singed by V.I. Lenin and A.V. Lunacharsky (1918).
Report on the Moscow music community meeting and the setting up of the Music Council (1918).
A group of participants at the Firat Congress of conservatory directors and art-board members of Russia. A page from the “Ves Mir” (“Entire World”) magazine, Iss №3, 1917.
Yelena Klementyevna Katulskaya among wounded soldiers in the hospital during World War I (1915).
