The Conservatoire building after reconstruction (the 1900s).
The Conservatoire building after reconstruction (the 1900s).
Grand Hall of the Conservatoire.
Grand Hall of the Conservatoire: interior eragment (St. Cecily stainglass wimdow) of the foyer by the stalls (the 1900s).
The building reconstruction.
The building reconstruction and new concert hall design for the Conservatoire.
A.V. Nezdhdanova.
A.V. Nezdhdanova (pupil of U.A. Masetti), V.R. Petrov (pupil of A.I. Barzal) and E. Gan (pupil of Ye. A. Lavrovskaya) during rehearsals for the students` examination performance of O. Nicolai`s opera Die lustigen Weiber von Windsor (the Bolshoi Theatre (1900)
Umberto Avgustovich Masetti (1869-1919).
Umberto Avgustovich Masetti (1869-1919), Italian singer. Professor of solo singing.
Lev (Leone) Giraldoni (1826-1897).
Lev (Leone) Giraldoni (1826-1897), Italian singer. Professor of solo singing (1890-1897).
Camilio Everardi (1825-1899).
Camilio Everardi (1825-1899), Italian singer. Professor of solo sining (1898-1899).
Varvara Mikhailovna Zarudnaya-Ivanova (1857-1939).
Varvara Mikhailovna Zarudnaya-Ivanova (1857-1939), singer. Professor of solo singing (1893-1924).
Concert program.
Concert program, featuring the performance of the Conservatotie Students` Orchestra conducted by V.I. Safonov 1890.
Vassily Iljich Safonov (1852-1918).
Vassily Iljich Safonov (1852-1918), pianist, conductor, music and public figure. Professor of piano, orchestral, choral and chamber ensemble (1885-1905), director (1889-1905).
Scene from the first production of S.V. Rachmaninov`s opera.
Scene from the first production of S.V. Rachmaninov`s opera “Aleko”. The Bolshoi Theater 1893.
Concert program.
Concert program, featuring works by the Conservatoire student S.V. Rachmaninov 1892.
Sergei Vassilyevich Rachmaninov (1873-1943).
Sergei Vassilyevich Rachmaninov (1873-1943), composer, pianist, conductor.
A.S. Arensky.
A.S. Arensky, N.N. Zvantsev and S.I. Taneyev in one of the class-room at the Conservatoire.
Anton Stepanovich Arensky (1861-1906).
Anton Stepanovich Arensky (1861-1906), composer, pianist, conductor. Teacher of theoretical subjects (1882-1895, since. 1889 – professor). With his pupils. G.E. Conus, N.S. Morozov, A.S. Arensky, S.V. Rachmaninov 1892.
Povel Avgustovich Pabst (1854-1897).
Povel Avgustovich Pabst (1854-1897), pianist, composer. Teacher of piano, since, professor.
Stepan Vassilyevich Smolensky (1848-1909).
Stepan Vassilyevich Smolensky (1848-1909), choral conductor, paleographer, researcher of Russian church singing. Professor in history of Russian church singing. 1889-1901).
Playbill of the second concert to commemorte.
Playbill of the second concert to commemorate the opening of M.I. Glinka`s Monument in Smolensk 1885.
The Mounument to M.I. Glinka.
The Mounument to M.I. Glinka in Smolensk by sculptor A. von Blok 1885.
Alexender Tikhonovich Grechaninov (1864-1956).
Alexender Tikhonovich Grechaninov (1864-1956), pupil of S.I. Taneyev, composer.
S.I. Taneyev`s pupils.
S.I. Taneyev`s pupils: Leonid Vladimirovich Nickolayev )1878-1942), pianist, composer, pedagogue, People`s Artist of the RFSFSR, and Reinhold Moritzevich Gliere (1875-1956), composer, conductor, professor of the Conservatotie (1920-1941), People`s Artist of the USSR, Laureate or the USSR State Prize.
Yuili Dmitriyevich Engel 1868-1927.
Yuili Dmitriyevich Engel 1868-1927, pupil of S.I. Taneyev, music critic, composer, music and public figure.
S.I. Taneyev. Imitative Counterpoint in Strict.
S.I. Taneyev. “Imitative Counterpoint in Strict”. Cover of the edition.
A page from B.L. Yavorsky`s student work.
A page from B.L. Yavorsky`s student work on forms with marks made by S.I. Taneyev.
Anatoly Ivanovich Galli 1853-1915.
Anatoly Ivanovich Galli 1853-1915, pianist, composer. Teacher of piano 1879-1909.
Ivan Voizekhovich Hrimaly 1844-1915.
Ivan Voizekhovich Hrimaly 1844-1915, violinist. Teacher of violin 1869-1915, since 1874 professor.
Ida Ivanovna Eichenwald 1842-1917
Ida Ivanovna Eichenwald 1842-1917, harpist. Professor of harp 1875-1906.
A Circassian against the background of Mt. Beshtau. Illustration to the poem “The Captive of the Caucasus”. 1821-1822.
A Circassian against the background of Mt. Beshtau. Illustration to the poem “The Captive of the Caucasus”. 1821-1822. Ink on paper.
Institute of Russian Literature. Saint-Petersburg
A.Pushkin (1799-1837)
Self-portrait. 1817-1818 (?). Ink on paper.
Institute of Russian Literature. Saint-Petersburg.
A. Delvig (1798-1831)
“Worthy physiognomies”. 1826 (?). Ink on paper. 30 x 17.
Institute of Russian Literature. Saint-Petersburg
A bull. 1830
A bull. 1830 (?) Coloured pencil, watercolour, gouache on paper. 17×12.
Literature Museum. Moscow.
A horse. The 1820s.
A horse. The 1820s. Pencil and watercolour on paper. 13.2 x 14.7.
Institute of Russian Literature. Saint-Petersburg
Napoleon. The 1820s
Napoleon. The 1820s. Coloured pencil on paper. 14.7×10.
Institute of Russian Literature. Saint-Petersburg
Landscape with horses. 1830
Landscape with horses. 1830. Watercolour on paper. 12.5×14.7. From the album of P. and S.Batyushkov.
State Public Library. Saint-Petersburg
Landscape with a house. 1830
Landscape with a house. 1830 (?). Pencil and watercolour on paper. 18.1×12.8.
Institute of Russian Literature. Saint-Petersburg
Portrait of V.Zhukovsky. 1810
Portrait of V.Zhukovsky. 1810. Pencil on paper. 32.3 x 20.5.
Literature Museum. Moscow
Self-portrait. 1822
Self-portrait. 1822 (?). Pencil on paper. 21.7×17. From the album of S. Ponomaryova.
Central State Archives of Literature and Art. Moscow.
Self-portrait. 1818
Self-portrait. 1818 (?). Pencil on paper. 21.7×17. From the album of S. Ponomaryova.
Literature Museum. Moscow.
S. Ponomaryova with her dame de compagnie. 1818
S. Ponomaryova with her dame de compagnie. 1818 (?). Pencil on paper. 21.7×17. From the album of S.Ponomaryova.
Central State Archives of Literature and Art. Moscow.
Strolling acrobats. 1822
Strolling acrobats. 1822 (?). Pencil on paper. 21.7×17. From the album of S. Ponomaryova.
Central State Archives of Literature and Art. Moscow.
At the Fair. 1818
At the Fair. 1818 (?). Pencil on paper. 43.4 x 17. From the album of S. Ponomaryova.
Central State Archives of Literature and Art. Moscow.
Illustration to A.Voyeikov’s satire “Madhouse”. 1814
Illustration to A.Voyeikov’s satire “Madhouse”. 1814 (7). Ink on paper. 11.7×14.
Institute of Russian Literature. Saint-Petersburg
Illustration to the poem “The Maple Tree”.
Illustration to the poem “The Maple Tree”. 1817-1818 (?). Pencil on paper.
Institute of Russian Literature. Saint-Petersburg
Illustration to the poem “God of Paphos …” 1809.
Illustration to the poem “God of Paphos …” 1809. Pencil on paper. 11.5×14.1.
State Public Library. Saint-Petersburg.
Sketches in the writing-book “Sundry Observations”. 1807-1810.
Sketches in the writing-book “Sundry Observations”. 1807-1810. Pencil and ink on paper. 21.1×12.
Institute of Russian Literature. Saint-Petersburg.
K.Batyushkov.
1 Self-portrait in a letter to N. Gnedich, March 2, 1807. Ink on paper. K.Batyushkov.
2 Self-portrait in a letter to N. Gnedich, June 1807. Ink on paper. K.Batyushkov.
Frontispiece of the first volume of Zhukovsky’s Collected Works. St. Petersburg, 1849.
Frontispiece of the first volume of Zhukovsky’s Collected Works. St. Petersburg, 1849. Woodcut after Zhukovsky’s drawings.
“Maman”. 1840.
“Maman”. 1840. Pencil on paper. 22.3×27.5. From sketchbook of German, Swiss and Italian views.
State Public Library. Saint-Petersburg
Landscape. 1848-1849.
Landscape. 1848-1849. Pencil on paper. 19.3 x 24.3. From sketchbook of German and Swiss views.
State Public Library. Saint-Petersburg
A room in the Pavlovsk Palace. The 1820s
A room in the Pavlovsk Palace. The 1820s. Watercolour on paper. 12.4×16.4.
Literature Museum. Moscow.
Moscow. 1841.
Moscow. 1841. Pencil on paper. 18.5×23.5. From sketchbook of travels in Germany and Russia.
State Public Library. Saint-Petersburg.
View from the rooftop of the Vorontsov Palace in Alupka. 1838
View from the rooftop of the Vorontsov Palace in Alupka. 1838(7). Lithograph by I.-A.Lazinsky.
Literature Museum. Moscow
Landscape. 1848-1849.
Landscape. 1848-1849. Pencil on paper. 19.3 x 24.3. From sketchbook of German and Swiss views.
State Public Library. Saint-Petersburg
Church-yard in Windsor.
Church-yard in Windsor. Illustration to Thomas Grey’s “Elegy Written in a Country Church-yard”. 1839. Lithograph.
