Poster announcing the concert.
Poster announcing the concert dedicated to M.P. Musorgsky and held in the Grand Hall of the Conservatoire (1931).
Professor and teachers.
Professor and teachers of the Conservatoire in the Small Hall of the Conservatoire (the 1930s).
S.P. Titov (father of cosmonaut G.S. Titov).
S.P. Titov (father of cosmonaut G.S. Titov) before leaving for Moscow to study at the Workers` Faculty in the Conservatoire. (1930)
Teachers of the Faculty of Music.
Teachers of the Faculty of Music and Pedagogy at the Conservatoire (the 1930s): S.S. Skrebkov, N.R. Kotler, N.M. Danilin, V.N. Shatskaya, B.V. Levik, A.V. Nickolsky.
Georgy Lvovich Katuar (1861-1926), composer.
Georgy Lvovich Katuar (1861-1926), composer, musicologist. Professor in theory of music and composition (1917-1926).
Georgy Edwardovich Couns (1862-1933), composer, musicologist.
Georgy Edwardovich Couns (1862-1933), composer, musicologist. Teacher of theory of music and composition (1891-1899, 1920-1933, since 1920 – professor). With teachers and students of the Conservatoire. Standing are: I.P. Musian, V.V. Khvostenko, N.A. Sidushin, G. K. Pukst (1927).
Maria Adrianovna Deisha- Sionitskaya (1859-1932), singer.
Maria Adrianovna Deisha- Sionitskaya (1859-1932), singer Professor of solo singing (1921-1932).
Vera Nickolayevna Petrova-Zvantseva (1876-1944).
Vera Nickolayevna Petrova-Zvantseva (1876-1944), singer. Professor of solo singing (1916-1932). Merited Art Worker of the RSFSR.
Program of the chamber concert.
Program of the chamber concert performed by N.G. Raisky`s pupils in the Small Hell of the Conservatoire (1936).
Nazary Grigoryevich Raisky (1876-1958).
Nazary Grigoryevich Raisky (1876-1958), singer, Teacher of solo singing. Teacher of solo singing (1919-1929, 1933-1949, since 1923 – professor), (1921-1929), director of the opera studio (1934-1935). Merited Art Worker of the RSFSR.
The Road of the October.
The Road of the October. Oratorio – “musical action in three links” for choir, soloists, piano, trumpet, button-accordion and percussion ensemble (1927), a composition jointly created by the following students – composers of the Conservatoire: V.A. Bely, G.S. Bruck, A.A. Dovidenko, M.V. Koval, Z.A. Levina, S.N. Ryauzov, V.M. Tarnopolsky, N.P. Chemberdzhi, B.S. Schechter.
Students-composers, who constituted the Production Collective of the Moscow Conservaetoire.
Students-composers, who constituted the Production Collective of the Moscow Conservatoire. First row: M.V. Koval, D.A. Rabinovich, V.A. Bely, D. Gachev. Second row: Yu. V. Keldysh, L.N. Lebedinsky, S.A. Krylova, L.L. Kaltat. Third row: A. A. Davidenko, A.A. Solovtsov, S.I. Korev, N. Ya. Vygodsky, B.S. Stinpress (1927).
Alexander Dmitriyvich Kastalsky (1856-1926).
Alexander Dmitriyvich Kastalsky (1856-1926), composer, music folklorist, an authority on choral culture. Professor of choral singing (1922-1926).
Peasents of the village.
Peasents of the village of Maleyevo in the vicinity of Moscow listen to the radio installed by students of the Conservatoire.
Secretaries of local groups of the Komsomol.
Secretaries of local groups of the Komsomol branch at the Conservatoire (1927): I. Ostrovsky, A.V. Bandina, A. Yevteyev.
The Conservatoire teachers and students.
The Conservatoire teachers and students participating in the demonstration on the 7th of November, 1923.
Program of the Conservatoire Students` Orchestra.
Program of the Conservatoire Students` Orchestra performance in the Small Hall of the Conservatoire (1918).
The Act effecting the transfer of the immovable.
The Act effecting the transfer of the immovable of the Moscow Branch of the Russian Music Society into the care of the Moscow Conservatoire (1918).
The Decree.
The Decree on the Moscow and Petrograd Conservatoires singed by V.I. Lenin and A.V. Lunacharsky (1918).
Report on the Moscow music community.
Report on the Moscow music community meeting and the setting up of the Music Council (1918).
A group of participants.
A group of participants at the Firat Congress of conservatory directors and art-board members of Russia. A page from the “Ves Mir” (“Entire World”) magazine, Iss №3, 1917.
Yelena Klementyevna Katulskaya.
Yelena Klementyevna Katulskaya among wounded soldiers in the hospital during World War I (1915).
Victor Ivanovich Sadovnikov (1886-1963).
Victor Ivanovich Sadovnikov (1886-1963), pupil of U.A. Massety, A.A. Iljnsky, S.I. Taneyev and R.M. Gliere, singer, composer, conductor. Professor of choral and operatic ensemble (1922-1930), solo singing (1934-1937). Among the wounded (sitting second from left) in the hospital quartered at the Petrograd College of Law (1915)
Program or the charity concrert.
Program or the charity concert for the benefit of the war victims. (1915).
A.Khomyakov (1804-1860)
A.Khomyakov (1804-i860). Self-portrait. The 1830s. Oil on canvas. 73 x 56. The Abramtsevo Museum.
Gogol’s last drawing. 1852.
Gogol’s last drawing. 1852. Ink on paper.
Institute of Russian Literature. Saint-Petersburg.
Cover of the first edition of the poem “Dead Souls”. Moscow, 1842
Cover of the first edition of the poem “Dead Souls”. Moscow, 1842
Sketches of A.Pushkin’s portrait. 1838 (?).
Sketches of A.Pushkin’s portrait. 1838 (?). Ink on paper. 9,8 x 10.
State Public Library. Saint-Petersburg.
An Italian landscape. The late 1830s.
An Italian landscape. The late 1830s. Pencil on paper. 9.5×12.5
Literature Museum. Moscow.
Two sketches of a cathedral. The 1830s.
Two sketches of a cathedral. The 1830s. Ink on paper. 23X12.1.
State Public Library. Saint-Petersburg.
A cathedral. The 1830s.
A cathedral. The 1830s. Ink on paper. 14×8.1.
Institute of Russian Literature. Saint-Petersburg.
Sketch of cover for “The Nose”. The 1830s.
Sketch of cover for “The Nose”. The 1830s (?). Ink on paper. 34.5×22.6.
State Public Library. Saint-Petersburg.
Title page of “Arabesques”. St.Petersburg, 1835
Title page of “Arabesques”. St.Petersburg, 1835. A cathedral. The 1830s. Ink on paper. 14×8.1.
Institute of Russian Literature. Saint-Petersburg.
Architectural sketches and the outline of “Arabesques”. 1834
Architectural sketches and the outline of “Arabesques”. 1834. Ink on paper. 34×22.
Institute of Russian Literature. Saint-Petersburg.
Architectural sketches. 1834.
Architectural sketches. 1834 (?). Pencil on paper. 18.8×22.
Institute of Russian Literature. Saint-Petersburg.
The house at Vasilyevka.
The house at Vasilyevka. From the manuscript book “Hotchpotch” . The 1820s. “The Works of N.Gogol”. 10thedition. Vol.7. Moscow, 1889
Portrait of a woman. The 1820s (?).
Portrait of a woman. The 1820s (?). Pencil on paper. Reference Department, fund 3, No. 8178. Photocopy from the Shevchenko Museum of Ukrainian Literature. Kiev.
Institute of Russian Literature. Saint-Petersburg.
Landscape. The 1820s.
Landscape. The 1820s (?). Pencil on paper. Reference Department, fund 3, No. 8180. Photocopy from the Shevchenko Museum of Ukrainian Literature. Kiev.
Institute of Russian Literature. Saint-Petersburg.
Portrait of a woman. The 1820s
Portrait of a woman. The 1820s (?). Pencil on paper. Reference Department, fund 3, No. 8177. Photocopy from the Shevchenko Museum of Ukrainian Literature. Kiev.
Institute of Russian Literature. Saint-Petersburg.
Caricature in the draft of the poem “The New Year 1827″. 1826
Caricature in the draft of the poem “The New Year 1827″. 1826. Pencil on paper.
State Public Library. Saint-Petersburg.
A little dog. The 1820s.
A little dog. The 1820s. Pencil and watercolour on paper. 19.8 x 25.
State Public Library. Saint-Petersburg.
“The Prince of Wiirttemberg”. The early 1820s.
“The Prince of Wiirttemberg”. The early 1820s. Ink on paper. 17×9.7.
Institute of Russian Literature. Saint-Petersburg.
A marksman. 1831
A marksman. 1831. Pencil on paper. 22×20.8.
State Public Library. Saint-Petersburg.
View of Finland. Drawing to the poem “My Artless Pencil. . .” 1831 (?).
View of Finland. Drawing to the poem “My Artless Pencil. . .” 1831 (?). Pencil on paper. From the album of A.Baratynskaya.
Central State Archives of Literature and Art. Moscow.
Two warriors. 1822 (?).
Two warriors. 1822 (?). Pencil on paper. 9.5 x 8.
Institute of Russian Literature. Saint-Petersburg.
A tree. Illustration to E.-D.Parny’s poem “Bel arbre, pourquoi conserver . . .” 1831
A tree. Illustration to E.-D.Parny’s poem “Bel arbre, pourquoi conserver . . .” 1831 (?). Pencil on paper. From the album of A.Baratynskaya.
Central State Archives of Literature and Art. Moscow.
Self-portrait in the text of the poem “The Mysteries of Love . . .?”. 1826
Self-portrait in the text of the poem “The Mysteries of Love . . .?”. 1826. Pencil on paper.
Central State Archives of Literature and Art. Moscow.
Landscape with pine trees. The 1820s
Landscape with pine trees. The 1820s (?). Ink on paper.
Institute of Russian Literature. Saint-Petersburg.
Don Juan. Illustration to the drama “The Stone Guest”. 1830
Don Juan. Illustration to the drama “The Stone Guest”. 1830. Ink on paper.
Institute of Russian Literature. Saint-Petersburg.
“Dramatic Scenes”. Ink on paper. 1830
“Dramatic Scenes”. Ink on paper. 1830.
Institute of Russian Literature. Saint-Petersburg.
Portrait of A. Delvig. 1829
Portrait of A. Delvig. 1829 (?). From the album of E.Ushakova. Pencil on paper.
Institute of Russian Literature. Saint-Petersburg.
Portrait of N. Gogol. 1833
Portrait of N. Gogol. 1833. Pencil on paper.
Institute of Russian Literature. Saint-Petersburg.
Portrait of A. Griboyedov. 1831.
Portrait of A. Griboyedov. 1831. Pencil on paper.
Institute of Russian Literature. Saint-Petersburg.
Portrait of E. Baratynsky in the draft of the second canto of the poem “Poltava”. 1828
Portrait of E. Baratynsky in the draft of the second canto of the poem “Poltava”. 1828. Ink on paper.
Institute of Russian Literature. Saint-Petersburg.
Cover of the manuscript text of the article “Voltaire”. 1836
Cover of the manuscript text of the article “Voltaire”. 1836. Ink on paper.
Institute of Russian Literature. Saint-Petersburg.
