Pushkin and Onegin. Drawing in a letter to L.Pushkin, November 1824

Pushkin and Onegin. Drawing in a letter to L.Pushkin, November 1824. Pencil on paper.

Institute of Russian Literature. Saint-Petersburg.

Drawing in a letter to L.Pushkin, November 1824

Portrait of D. Venevitinov in the draft of the introduction to chapters eight and nine of the novel “Eugene Onegin”. 1830

Portrait of D. Venevitinov in the draft of the in¬≠troduction to chapters eight and nine of the novel “Eugene Onegin”. 1830. Ink on paper.

Institute of Russian Literature. Saint-Petersburg

novel "Eugene Onegin

Self-portrait, portraits of I. Pushchin, A. Delvig, V.Kukhelbeker and K.Ryleyev in the draft of chapter five of the novel “Eugene Onegin”. 1826

Self-portrait, portraits of I. Pushchin, A. Delvig, V.Kukhelbeker and K.Ryleyev in the draft of chapter five of the novel “Eugene Onegin”. 1826. Ink on paper.

Institute of Russian Literature. Saint-Petersburg.

Institute of Russian Literature, Saint-Petersburg

Portrait of D. Davydov in the draft of “Excerpts from Onegin’s Journey”. 1825.

Portrait of D. Davydov in the draft of “Excerpts from Onegin’s Journey”. 1825. Ink on paper.

Institute of Russian Literature. Saint-Petersburg.

Institute of Russian Literature. Saint-Petersburg.

Two self-portraits. 1826.

Two self-portraits. 1826. Ink on paper.

Institute of Russian Literature. Saint-Petersburg

Institute of Russian Literature. Saint-Petersburg

Tatyana. Drawing in the draft of “Tatyana’s Letter to Onegin”. 1824.

Tatyana. Drawing in the draft of “Tatyana’s Letter to Onegin”. 1824. Ink on paper.

Institute of Russian Literature. Saint-Petersburg.

Saint-Petersburg

Self-portrait; M.Rayevskaya. Drawings in the draft of chapter one of the novel “Eugene Onegin”. 1823.

Self-portrait; M.Rayevskaya. Drawings in the draft of chapter one of the novel “Eugene Onegin”. 1823. Ink on paper.

Institute of Russian Literature. Saint-Petersburg

nstitute of Russian Literature. Saint-Petersburg

The group of members.

The group of members of the Moscow Commission on Music Ethnography.

Moscow Commission on Music Ethnography.

A page of the Russian Musical Gazette

A page of the Russian Musical Gazette dedicated to the 50th anniversary of the Moscow Branch of the Russian Music Society (1912)

Musical Gazette.

The mustal benefit club.

The mustal benefit club for students of the Conservatoire. Ye. V. Bogoslovsky, A.G. Schor, L.V. Nickolayev, M.S. Nemanova-Lunz (1905).

The mustal benefit club for students of the Conservatoire

Participants of the students` performance.

Participants of the students` performance. The Mandarins` Son. C.A. Ippolitov-Ivanov, condudtor of the performance, is in far left, and producing director N.N. Zvantsen is second from left (1917).

producing director N.N. Zvantsen is second from left (1917).

The programs of students.

The programs of students`s operatic performances conducted by M.M. Ippolitov- Ivanov.

The programs of students`s operatic performances conducted

Mikhail Mikhailovich Ippolitov – Ivanov (1859-1935).

Mikhail Mikhailovich Ippolitov – Ivanov (1859-1935), composer, conductor, music and public figure. People`s Artist of the RSFSR. Teacer of harmony, instrumentation, free composition, operatic class (1893-1935, since 1893 – professor), director (1905-1918), rector (1918-1922).

 since 1893 - professor), director (1905-1918), rector (1918-1922).

A.N. Scriabin.

A.N. Scriabin. The portratit painted by A. Ya. Golovin.

The portratit painted by A. Ya. Golovin.

A. N. Skrabin playing his poem.

A. N. Skrabin playing his poem Prometheus with orchestra conducted by S.A. Koussevitzky. Painting by L.O. Pasternak.

A. N. Skrabin playing his poem Prometheus with orchestra conducted by S.A. Koussevitzky

Alexsander Nickolayevich Scrabin (1872-1915).

Alexsander Nickolayevich Scrabin (1872-1915), composer, pianist. Professor of piano (1898-1903). With his pupils.

Alexsander Nickolayevich Scrabin (1872-1915), composer, pianist. Professor of piano (1898-1903)

One of piano classrooms.

One of piano classrooms in the Conservatoire.

in the Conservatoire.

The Conservatoire building after reconstruction (the 1900s).

The Conservatoire building after reconstruction (the 1900s).

The Conservatoire building after reconstruction

Grand Hall of the Conservatoire.

Grand Hall of the Conservatoire: interior eragment (St. Cecily stainglass wimdow) of the foyer by the stalls (the 1900s).

Grand Hall of the Conservatoire: interior eragment (St. Cecily stainglass wimdow)

Grand Hall.

Grand Hall of the Conservatoire: a seatarrangement scheme.

Grand Hall of the Conservatoire

The building reconstruction.

The building reconstruction and new concert hall design for the Conservatoire.

The building reconstruction and new concert hall design

A.V. Nezdhdanova.

A.V. Nezdhdanova (pupil of U.A. Masetti), V.R. Petrov (pupil of A.I. Barzal) and E. Gan (pupil of Ye. A. Lavrovskaya) during rehearsals for the students` examination performance of O. Nicolai`s opera Die lustigen Weiber von Windsor (the Bolshoi Theatre (1900)

 opera Die lustigen Weiber von Windsor (the Bolshoi Theatre (1900)

Umberto Avgustovich Masetti (1869-1919).

Umberto Avgustovich Masetti (1869-1919), Italian singer. Professor of solo singing.

Italian singer. Professor of solo singing.

Lev (Leone) Giraldoni (1826-1897).

Lev (Leone) Giraldoni (1826-1897), Italian singer. Professor of solo singing (1890-1897).

Lev (Leone) Giraldoni (1826-1897)

Camilio Everardi (1825-1899).

Camilio Everardi (1825-1899), Italian singer. Professor of solo sining (1898-1899).

Camilio Everardi (1825-1899), Italian singer.

Varvara Mikhailovna Zarudnaya-Ivanova (1857-1939).

Varvara Mikhailovna Zarudnaya-Ivanova (1857-1939), singer. Professor of solo singing (1893-1924).

Professor of solo singing (1893-1924).