Moscow. 1841.
Moscow. 1841. Pencil on paper. 18.5×23.5. From sketchbook of travels in Germany and Russia. State Public Library. Saint-Petersburg.
Miskhor. 1838
Miskhor. 1838(7). Lithograph by I.-A.Lazinsky. Literature Museum. Moscow.
View from the rooftop of the Vorontsov Palace in Alupka. 1838
View from the rooftop of the Vorontsov Palace in Alupka. 1838(7). Lithograph by I.-A.Lazinsky. Literature Museum. Moscow
Landscape. 1848-1849.
Landscape. 1848-1849. Pencil on paper. 19.3 x 24.3. From sketchbook of German and Swiss views. State Public Library. Saint-Petersburg
Church-yard in Windsor.
Church-yard in Windsor. Illustration to Thomas Grey’s “Elegy Written in a Country Church-yard”. 1839. Lithograph.
Wiland’s tomb. 1838
Wiland’s tomb. 1838. Pencil on paper. 22.3×27.5. From sketchbook of German, Swiss and Italian views. State Public Library. Saint-Petersburg.
Goethe’s house in Weimar. 1827.
Goethe’s house in Weimar. 1827. Pencil and ink on paper. 13.8×24. From sketchbook of the journey to Germany, France and Belgium. State Public Library. Saint-Petersburg.
Villa Mills. N.Gogol. 1839.
Villa Mills. N.Gogol. 1839. Pencil on paper. 22.2×27.5. From sketchbook of the journey to Italy, Austria, Germany and Holland. State Public Library. Saint-Petersburg
Aqua Paulina. N. Gogol. 1839
Aqua Paulina. N. Gogol. 1839. Pencil on paper. 22.2×27.5. From sketchbook of the journey to Italy, Austria, Germany and Holland. State Public Library. Saint-Petersburg.
Villa Volkonsky. P.Krivtsov, Z. Volkonskaya and N.Gogol. 1839.
Villa Volkonsky. P.Krivtsov, Z. Volkonskaya and N.Gogol. 1839. Pencil on paper. 22.2×27.5. From sketchbook of the journey to Italy, Austria, Germany and Holland. State Public Library. Saint-Petersburg
Warwick Castle. 1839
Warwick Castle. 1839. Pencil on paper. 14 x 23. From sketchbook of travels in Russia, England and Germany. State Public Library. Saint-Petersburg.
Lago di Como. 1838
Lago di Como. 1838. Pencil on paper. 22.3×27.5. From sketchbook of German, Swiss and Italian views. State Public Library. Saint-Petersburg.
Illes Borromes. 1838
Illes Borromes. 1838. Pencil on paper. 13.5×22.3. From sketchbook of German, Swiss and Italian views. State Public Library. Saint-Petersburg.
Stanz. 1821.
Stanz. 1821. Ink on paper. 7.4×18. From sketchbook of the journey to Switzerland and Germany. State Public Library Saint-Petersburg.
Geneva. 1821
Geneva. 1821. Ink on paper. 7.5×17.9. From sketchbook of the journey to Switzerland and Germany. State Public Library. Saint-Petersburg.
V.Zhukovsky (1783-1852)
V.Zhukovsky (1783-1852) Shamouny. 1821. Ink on paper. 5×18.8. From sketchbook of the journey to Switzerland and Germany. State Public Library Saint-Petersburg
“The Separation”. 1812
Drawing in the draft of the fable “The Separation”. 1812. State Public Library Saint-Petersburg.
I.Krylov (1769-1844)
I.Krylov (1769-1844). Drawing (self-caricature?) in the text of the fable “The Dragonfly and the Ant”. The late 1800s or early 1810s. State Public Library Saint-Petersburg.
A.Bolotov (1738-1833)
A.Bolotov (1738-1833) Self-portrait: Bolotov in his study. 1789
G.Derzhavin (1743-1816)
G.Derzhavin (1743-1816). Self-portrait (?). The 1770s
The battle of Poltava. 1764. Mosaic. 460 x 600.
The battle of Poltava. 1764. Mosaic. 460 x 600. End wall of the staircase in the main building of the Russia Academy of Sciences, Saint-Petersburg. Peter 1 A Russian grenadier Russian and Swedish soldiers Russian banners Russian generals A fallen Swedish soldier Background view of the town of Poltava Karl XII
Tailpiece of “The Life of Avvakum”
Tailpiece of “The Life of Avvakum” in the Pustozersk Collection. Department of Manuscripts.
Title of “The Life of Avvakum”
Title of “The Life of Avvakum” in the Pustozersk Collection. Ca.1675.
Epiphanius (?-1682)
The Calvary Cross. Drawing in the Pustozersk Collection. Ca. 1675. Department of Manuscripts.
“Five Saints and Five Adversaries of the Old Faith”
“Five Saints and Five Adversaries of the Old Faith”. Illustration to “The Sermon of Love of Father Dorotheus” from the Pustozersk Collection. Ca.1675.
Avvakum (1620 or 1621-1682)
Headpiece and initial of “The Sermon of Love of Father Dorotheus” from the Pustozersk Collection. Ca.1675. Institute of Russian Literature. Saint-Petersburg.
The Zodiac from “The Russian Eagle”. 1667.
The Zodiac from “The Russian Eagle”. 1667, Historical Museum. Moscow.
Verse shaped as a star from the “Salutation”. 1665
Verse shaped as a star from the “Salutation”. 1665 Historical Museum. Moscow.
The Zodiac from “The Russian Eagle”.
The Zodiac from “The Russian Eagle”. 1667. Historical Museum. Moscow
Cruciform verse from the “Salutation”.
Cruciform verse from the “Salutation”. 1665. From the “Rythmologion” anthology. 1678-1680. Historical Museum. Moscow.
Title page of the manuscript book “Spiritual Supper”.
Title page of the manuscript book “Spiritual Supper”. 1676. Central State Archives of Literature and Art. Moscow.
Title page of the manuscript book “Spiritual Supper”
Title page of the manuscript book “Spiritual Supper”. 1676. Central State Archives of Literature and Art. Moscow.
Simeon of Polotsk (1629-1680).
Title page of the manuscript book “Spiritual Repast”. 1675. Central State Archives of Literature and Art. Moscow.
The opening ceremony of A.S. Pushkin Monument.
The opening ceremony of A.S. Pushkin Monument in the Tverskoj Boulevard in Moscow (now in Pushinskaya Sqare). A.M. Opekushin (1880). Gravure from N.P. Chekhov’s drawing from life.
Andrei Rublev. Trinity
Andrei Rublev. Trinity.