George. Ikona.XIV in. Paintings in the Church of the Nativity of the Virgin in Feropontove.
Icon – demonstrates the mutual influence of the surrounding area and the nature of color forms of monumental painting. The frescoes are organically linked with the tectonics of interior and less saturated in color than the icons (especially material). Icons by nature (it becomes the image), and saturation of color have the ability to be independent of the tectonics of the interior.
