Report on the Moscow music community.
Report on the Moscow music community meeting and the setting up of the Music Council (1918).
Singing mass songs.
Singing mass songs in the square in front of the Bolshoi Theater (1918).
A group of participants.
A group of participants at the Firat Congress of conservatory directors and art-board members of Russia. A page from the “Ves Mir” (“Entire World”) magazine, Iss №3, 1917.
The second Honours` Board.
The second Honours` Board at the Conservatoire.
Yelena Klementyevna Katulskaya.
Yelena Klementyevna Katulskaya among wounded soldiers in the hospital during World War I (1915).
Victor Ivanovich Sadovnikov (1886-1963).
Victor Ivanovich Sadovnikov (1886-1963), pupil of U.A. Massety, A.A. Iljnsky, S.I. Taneyev and R.M. Gliere, singer, composer, conductor. Professor of choral and operatic ensemble (1922-1930), solo singing (1934-1937). Among the wounded (sitting second from left) in the hospital quartered at the Petrograd College of Law (1915)
Program or the charity concrert.
Program or the charity concert for the benefit of the war victims. (1915).
A.Khomyakov (1804-1860)
A.Khomyakov (1804-i860). Self-portrait. The 1830s. Oil on canvas. 73 x 56. The Abramtsevo Museum.
K.Pavlova (1807-1893) Portrait of N. Gogol.
K.Pavlova (1807-1893) Portrait of N. Gogol.
Gogol’s last drawing. 1852.
Gogol’s last drawing. 1852. Ink on paper. Institute of Russian Literature. Saint-Petersburg.
Cover of the first edition of the poem “Dead Souls”. Moscow, 1842
Cover of the first edition of the poem “Dead Souls”. Moscow, 1842
Sketches of A.Pushkin’s portrait. 1838 (?).
Sketches of A.Pushkin’s portrait. 1838 (?). Ink on paper. 9,8 x 10. State Public Library. Saint-Petersburg.
An Italian landscape. The late 1830s.
An Italian landscape. The late 1830s. Pencil on paper. 9.5×12.5 Literature Museum. Moscow.
Sketches. The late 1830s.
Sketches. The late 1830s. Ink on paper. 28.5 X21.6.
Two sketches of a cathedral. The 1830s.
Two sketches of a cathedral. The 1830s. Ink on paper. 23X12.1. State Public Library. Saint-Petersburg.
A cathedral. The 1830s.
A cathedral. The 1830s. Ink on paper. 14×8.1. Institute of Russian Literature. Saint-Petersburg.
Sketch of cover for “The Nose”. The 1830s.
Sketch of cover for “The Nose”. The 1830s (?). Ink on paper. 34.5×22.6. State Public Library. Saint-Petersburg.
Title page of “Arabesques”. St.Petersburg, 1835
Title page of “Arabesques”. St.Petersburg, 1835. A cathedral. The 1830s. Ink on paper. 14×8.1. Institute of Russian Literature. Saint-Petersburg.
Architectural sketches and the outline of “Arabesques”. 1834
Architectural sketches and the outline of “Arabesques”. 1834. Ink on paper. 34×22. Institute of Russian Literature. Saint-Petersburg.
Architectural sketches. 1834.
Architectural sketches. 1834 (?). Pencil on paper. 18.8×22. Institute of Russian Literature. Saint-Petersburg.
The house at Vasilyevka.
The house at Vasilyevka. From the manuscript book “Hotchpotch” . The 1820s. “The Works of N.Gogol”. 10thedition. Vol.7. Moscow, 1889
Portrait of a woman. The 1820s (?).
Portrait of a woman. The 1820s (?). Pencil on paper. Reference Department, fund 3, No. 8178. Photocopy from the Shevchenko Museum of Ukrainian Literature. Kiev. Institute of Russian Literature. Saint-Petersburg.
Landscape. The 1820s.
Landscape. The 1820s (?). Pencil on paper. Reference Department, fund 3, No. 8180. Photocopy from the Shevchenko Museum of Ukrainian Literature. Kiev. Institute of Russian Literature. Saint-Petersburg.
Portrait of a woman. The 1820s
Portrait of a woman. The 1820s (?). Pencil on paper. Reference Department, fund 3, No. 8177. Photocopy from the Shevchenko Museum of Ukrainian Literature. Kiev. Institute of Russian Literature. Saint-Petersburg.