Day: July 2, 2010
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Report on the Moscow music community.
Report on the Moscow music community meeting and the setting up of the Music Council (1918).
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Singing mass songs.
Singing mass songs in the square in front of the Bolshoi Theater (1918).
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A group of participants.
A group of participants at the Firat Congress of conservatory directors and art-board members of Russia. A page from the “Ves Mir” (“Entire World”) magazine, Iss №3, 1917.
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The second Honours` Board.
The second Honours` Board at the Conservatoire.
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Yelena Klementyevna Katulskaya.
Yelena Klementyevna Katulskaya among wounded soldiers in the hospital during World War I (1915).
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Victor Ivanovich Sadovnikov (1886-1963).
Victor Ivanovich Sadovnikov (1886-1963), pupil of U.A. Massety, A.A. Iljnsky, S.I. Taneyev and R.M. Gliere, singer, composer, conductor. Professor of choral and operatic ensemble (1922-1930), solo singing (1934-1937). Among the wounded (sitting second from left) in the hospital quartered at the Petrograd College of Law (1915)
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Program or the charity concrert.
Program or the charity concert for the benefit of the war victims. (1915).
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A.Khomyakov (1804-1860)
A.Khomyakov (1804-i860). Self-portrait. The 1830s. Oil on canvas. 73 x 56. The Abramtsevo Museum.
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K.Pavlova (1807-1893) Portrait of N. Gogol.
K.Pavlova (1807-1893) Portrait of N. Gogol.
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Gogol’s last drawing. 1852.
Gogol’s last drawing. 1852. Ink on paper. Institute of Russian Literature. Saint-Petersburg.
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Cover of the first edition of the poem “Dead Souls”. Moscow, 1842
Cover of the first edition of the poem “Dead Souls”. Moscow, 1842
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Sketches of A.Pushkin’s portrait. 1838 (?).
Sketches of A.Pushkin’s portrait. 1838 (?). Ink on paper. 9,8 x 10. State Public Library. Saint-Petersburg.
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An Italian landscape. The late 1830s.
An Italian landscape. The late 1830s. Pencil on paper. 9.5×12.5 Literature Museum. Moscow.
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Sketches. The late 1830s.
Sketches. The late 1830s. Ink on paper. 28.5 X21.6.
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Two sketches of a cathedral. The 1830s.
Two sketches of a cathedral. The 1830s. Ink on paper. 23X12.1. State Public Library. Saint-Petersburg.
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A cathedral. The 1830s.
A cathedral. The 1830s. Ink on paper. 14×8.1. Institute of Russian Literature. Saint-Petersburg.
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Sketch of cover for “The Nose”. The 1830s.
Sketch of cover for “The Nose”. The 1830s (?). Ink on paper. 34.5×22.6. State Public Library. Saint-Petersburg.
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Title page of “Arabesques”. St.Petersburg, 1835
Title page of “Arabesques”. St.Petersburg, 1835. A cathedral. The 1830s. Ink on paper. 14×8.1. Institute of Russian Literature. Saint-Petersburg.
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Architectural sketches and the outline of “Arabesques”. 1834
Architectural sketches and the outline of “Arabesques”. 1834. Ink on paper. 34×22. Institute of Russian Literature. Saint-Petersburg.
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Architectural sketches. 1834.
Architectural sketches. 1834 (?). Pencil on paper. 18.8×22. Institute of Russian Literature. Saint-Petersburg.
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The house at Vasilyevka.
The house at Vasilyevka. From the manuscript book “Hotchpotch” . The 1820s. “The Works of N.Gogol”. 10thedition. Vol.7. Moscow, 1889
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Portrait of a woman. The 1820s (?).
Portrait of a woman. The 1820s (?). Pencil on paper. Reference Department, fund 3, No. 8178. Photocopy from the Shevchenko Museum of Ukrainian Literature. Kiev. Institute of Russian Literature. Saint-Petersburg.
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Landscape. The 1820s.
Landscape. The 1820s (?). Pencil on paper. Reference Department, fund 3, No. 8180. Photocopy from the Shevchenko Museum of Ukrainian Literature. Kiev. Institute of Russian Literature. Saint-Petersburg.
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Portrait of a woman. The 1820s
Portrait of a woman. The 1820s (?). Pencil on paper. Reference Department, fund 3, No. 8177. Photocopy from the Shevchenko Museum of Ukrainian Literature. Kiev. Institute of Russian Literature. Saint-Petersburg.