A. Delvig (1798-1831)
“Worthy physiognomies”. 1826 (?). Ink on paper. 30 x 17. Institute of Russian Literature. Saint-Petersburg
“Worthy physiognomies”. 1826 (?). Ink on paper. 30 x 17. Institute of Russian Literature. Saint-Petersburg
A bull. 1830 (?) Coloured pencil, watercolour, gouache on paper. 17×12. Literature Museum. Moscow.
A horse. The 1820s. Pencil and watercolour on paper. 13.2 x 14.7. Institute of Russian Literature. Saint-Petersburg
Napoleon. The 1820s. Coloured pencil on paper. 14.7×10. Institute of Russian Literature. Saint-Petersburg
Landscape with horses. 1830. Watercolour on paper. 12.5×14.7. From the album of P. and S.Batyushkov. State Public Library. Saint-Petersburg
Landscape with a house. 1830 (?). Pencil and watercolour on paper. 18.1×12.8. Institute of Russian Literature. Saint-Petersburg
Self-portrait. 1830. Pencil on paper. 11,2×17,3 Literature Museum. Moscow
Portrait of V.Zhukovsky. 1810. Pencil on paper. 32.3 x 20.5. Literature Museum. Moscow
Self-portrait. 1822 (?). Pencil on paper. 21.7×17. From the album of S. Ponomaryova. Central State Archives of Literature and Art. Moscow.
Self-portrait. 1818 (?). Pencil on paper. 21.7×17. From the album of S. Ponomaryova. Literature Museum. Moscow.
S. Ponomaryova with her dame de compagnie. 1818 (?). Pencil on paper. 21.7×17. From the album of S.Ponomaryova. Central State Archives of Literature and Art. Moscow.
Strolling acrobats. 1822 (?). Pencil on paper. 21.7×17. From the album of S. Ponomaryova. Central State Archives of Literature and Art. Moscow.
At the Fair. 1818 (?). Pencil on paper. 43.4 x 17. From the album of S. Ponomaryova. Central State Archives of Literature and Art. Moscow.
Illustration to A.Voyeikov’s satire “Madhouse”. 1814 (7). Ink on paper. 11.7×14. Institute of Russian Literature. Saint-Petersburg
Illustration to the poem “The Maple Tree”. 1817-1818 (?). Pencil on paper. Institute of Russian Literature. Saint-Petersburg
Illustration to the poem “God of Paphos …” 1809. Pencil on paper. 11.5×14.1. State Public Library. Saint-Petersburg.
Sketches in the writing-book “Sundry Observations”. 1807-1810. Pencil and ink on paper. 21.1×12. Institute of Russian Literature. Saint-Petersburg.
1 Self-portrait in a letter to N. Gnedich, March 2, 1807. Ink on paper. K.Batyushkov. 2 Self-portrait in a letter to N. Gnedich, June 1807. Ink on paper. K.Batyushkov.
Frontispiece of the first volume of Zhukovsky’s Collected Works. St. Petersburg, 1849. Woodcut after Zhukovsky’s drawings.
“Maman”. 1840. Pencil on paper. 22.3×27.5. From sketchbook of German, Swiss and Italian views. State Public Library. Saint-Petersburg
Landscape. 1848-1849. Pencil on paper. 19.3 x 24.3. From sketchbook of German and Swiss views. State Public Library. Saint-Petersburg
A room in the Pavlovsk Palace. The 1820s. Watercolour on paper. 12.4×16.4. Literature Museum. Moscow.
Moscow. 1841. Pencil on paper. 18.5×23.5. From sketchbook of travels in Germany and Russia. State Public Library. Saint-Petersburg.
Miskhor. 1838(7). Lithograph by I.-A.Lazinsky. Literature Museum. Moscow.
View from the rooftop of the Vorontsov Palace in Alupka. 1838(7). Lithograph by I.-A.Lazinsky. Literature Museum. Moscow
Landscape. 1848-1849. Pencil on paper. 19.3 x 24.3. From sketchbook of German and Swiss views. State Public Library. Saint-Petersburg
Church-yard in Windsor. Illustration to Thomas Grey’s “Elegy Written in a Country Church-yard”. 1839. Lithograph.
Wiland’s tomb. 1838. Pencil on paper. 22.3×27.5. From sketchbook of German, Swiss and Italian views. State Public Library. Saint-Petersburg.
Goethe’s house in Weimar. 1827. Pencil and ink on paper. 13.8×24. From sketchbook of the journey to Germany, France and Belgium. State Public Library. Saint-Petersburg.
Villa Mills. N.Gogol. 1839. Pencil on paper. 22.2×27.5. From sketchbook of the journey to Italy, Austria, Germany and Holland. State Public Library. Saint-Petersburg
Aqua Paulina. N. Gogol. 1839. Pencil on paper. 22.2×27.5. From sketchbook of the journey to Italy, Austria, Germany and Holland. State Public Library. Saint-Petersburg.
Villa Volkonsky. P.Krivtsov, Z. Volkonskaya and N.Gogol. 1839. Pencil on paper. 22.2×27.5. From sketchbook of the journey to Italy, Austria, Germany and Holland. State Public Library. Saint-Petersburg
Warwick Castle. 1839. Pencil on paper. 14 x 23. From sketchbook of travels in Russia, England and Germany. State Public Library. Saint-Petersburg.
Lago di Como. 1838. Pencil on paper. 22.3×27.5. From sketchbook of German, Swiss and Italian views. State Public Library. Saint-Petersburg.
Illes Borromes. 1838. Pencil on paper. 13.5×22.3. From sketchbook of German, Swiss and Italian views. State Public Library. Saint-Petersburg.
Stanz. 1821. Ink on paper. 7.4×18. From sketchbook of the journey to Switzerland and Germany. State Public Library Saint-Petersburg.
Geneva. 1821. Ink on paper. 7.5×17.9. From sketchbook of the journey to Switzerland and Germany. State Public Library. Saint-Petersburg.
V.Zhukovsky (1783-1852) Shamouny. 1821. Ink on paper. 5×18.8. From sketchbook of the journey to Switzerland and Germany. State Public Library Saint-Petersburg
Drawing in the draft of the fable “The Separation”. 1812. State Public Library Saint-Petersburg.
I.Krylov (1769-1844). Drawing (self-caricature?) in the text of the fable “The Dragonfly and the Ant”. The late 1800s or early 1810s. State Public Library Saint-Petersburg.
A.Bolotov (1738-1833) Self-portrait: Bolotov in his study. 1789
G.Derzhavin (1743-1816). Self-portrait (?). The 1770s
The battle of Poltava. 1764. Mosaic. 460 x 600. End wall of the staircase in the main building of the Russia Academy of Sciences, Saint-Petersburg. Peter 1 A Russian grenadier Russian and Swedish soldiers Russian banners Russian generals A fallen Swedish soldier Background view of the town of Poltava Karl XII
Tailpiece of “The Life of Avvakum” in the Pustozersk Collection. Department of Manuscripts.
Title of “The Life of Avvakum” in the Pustozersk Collection. Ca.1675.
The Calvary Cross. Drawing in the Pustozersk Collection. Ca. 1675. Department of Manuscripts.
“Five Saints and Five Adversaries of the Old Faith”. Illustration to “The Sermon of Love of Father Dorotheus” from the Pustozersk Collection. Ca.1675.
Headpiece and initial of “The Sermon of Love of Father Dorotheus” from the Pustozersk Collection. Ca.1675. Institute of Russian Literature. Saint-Petersburg.
The Zodiac from “The Russian Eagle”. 1667, Historical Museum. Moscow.
Verse shaped as a star from the “Salutation”. 1665 Historical Museum. Moscow.
The Zodiac from “The Russian Eagle”. 1667. Historical Museum. Moscow
Cruciform verse from the “Salutation”. 1665. From the “Rythmologion” anthology. 1678-1680. Historical Museum. Moscow.
Title page of the manuscript book “Spiritual Supper”. 1676. Central State Archives of Literature and Art. Moscow.
Title page of the manuscript book “Spiritual Supper”. 1676. Central State Archives of Literature and Art. Moscow.
Title page of the manuscript book “Spiritual Repast”. 1675. Central State Archives of Literature and Art. Moscow.
Yelizaveta Andreevna Lavrovskaya 1845-1919, singer. Professor of solo singing 1888-1919.
Nickolai Sergeyevich Zverev 1832-1893, pianist, teacher of piano 1870-1893, since 1883 – professor. With his pupils.
Nickolai Mikhailovich Ladukhin 1860-1918, music theorist and composer. Teacher of solfege, harmony and instrumentation 1886-1917, since 1904 – professor.
Alfred Edmundovich von Glen (1858-1927). Professor 1890-1921.
A.I. Siloti and F. Liszt. Alexander Iljich Siloti (1863-1945), pupil of N.G. Rubinstein, pianist, conductor. Professor of piano. (1889-1891).