Ferruccio Busoni (1866-1924).
Ferruccio Busoni (1866-1924), pianist, composer. Professor of piano.
Ferruccio Busoni (1866-1924), pianist, composer. Professor of piano.
Povel Avgustovich Pabst (1854-1897), pianist, composer. Teacher of piano, since, professor.
Stepan Vassilyevich Smolensky (1848-1909), choral conductor, paleographer, researcher of Russian church singing. Professor in history of Russian church singing. 1889-1901).
Playbill of the second concert to commemorate the opening of M.I. Glinka`s Monument in Smolensk 1885.
The Mounument to M.I. Glinka in Smolensk by sculptor A. von Blok 1885.
Alexender Tikhonovich Grechaninov (1864-1956), pupil of S.I. Taneyev, composer.
S.I. Taneyev`s pupils: Leonid Vladimirovich Nickolayev )1878-1942), pianist, composer, pedagogue, People`s Artist of the RFSFSR, and Reinhold Moritzevich Gliere (1875-1956), composer, conductor, professor of the Conservatotie (1920-1941), People`s Artist of the USSR, Laureate or the USSR State Prize.
Yuili Dmitriyevich Engel 1868-1927, pupil of S.I. Taneyev, music critic, composer, music and public figure.
S.I. Taneyev. “Imitative Counterpoint in Strict”. Cover of the edition.
A page from B.L. Yavorsky`s student work on forms with marks made by S.I. Taneyev.
Anatoly Ivanovich Galli 1853-1915, pianist, composer. Teacher of piano 1879-1909.
Ivan Voizekhovich Hrimaly 1844-1915, violinist. Teacher of violin 1869-1915, since 1874 professor.
Ida Ivanovna Eichenwald 1842-1917, harpist. Professor of harp 1875-1906.
A Circassian against the background of Mt. Beshtau. Illustration to the poem “The Captive of the Caucasus”. 1821-1822. Ink on paper. Institute of Russian Literature. Saint-Petersburg
Self-portrait. 1817-1818 (?). Ink on paper. Institute of Russian Literature. Saint-Petersburg.
“Worthy physiognomies”. 1826 (?). Ink on paper. 30 x 17. Institute of Russian Literature. Saint-Petersburg
A bull. 1830 (?) Coloured pencil, watercolour, gouache on paper. 17×12. Literature Museum. Moscow.
A horse. The 1820s. Pencil and watercolour on paper. 13.2 x 14.7. Institute of Russian Literature. Saint-Petersburg
Napoleon. The 1820s. Coloured pencil on paper. 14.7×10. Institute of Russian Literature. Saint-Petersburg
Landscape with horses. 1830. Watercolour on paper. 12.5×14.7. From the album of P. and S.Batyushkov. State Public Library. Saint-Petersburg
Landscape with a house. 1830 (?). Pencil and watercolour on paper. 18.1×12.8. Institute of Russian Literature. Saint-Petersburg
Self-portrait. 1830. Pencil on paper. 11,2×17,3 Literature Museum. Moscow
Portrait of V.Zhukovsky. 1810. Pencil on paper. 32.3 x 20.5. Literature Museum. Moscow
Self-portrait. 1822 (?). Pencil on paper. 21.7×17. From the album of S. Ponomaryova. Central State Archives of Literature and Art. Moscow.
Self-portrait. 1818 (?). Pencil on paper. 21.7×17. From the album of S. Ponomaryova. Literature Museum. Moscow.
S. Ponomaryova with her dame de compagnie. 1818 (?). Pencil on paper. 21.7×17. From the album of S.Ponomaryova. Central State Archives of Literature and Art. Moscow.
Strolling acrobats. 1822 (?). Pencil on paper. 21.7×17. From the album of S. Ponomaryova. Central State Archives of Literature and Art. Moscow.
At the Fair. 1818 (?). Pencil on paper. 43.4 x 17. From the album of S. Ponomaryova. Central State Archives of Literature and Art. Moscow.
Illustration to A.Voyeikov’s satire “Madhouse”. 1814 (7). Ink on paper. 11.7×14. Institute of Russian Literature. Saint-Petersburg
Illustration to the poem “The Maple Tree”. 1817-1818 (?). Pencil on paper. Institute of Russian Literature. Saint-Petersburg
Illustration to the poem “God of Paphos …” 1809. Pencil on paper. 11.5×14.1. State Public Library. Saint-Petersburg.
Sketches in the writing-book “Sundry Observations”. 1807-1810. Pencil and ink on paper. 21.1×12. Institute of Russian Literature. Saint-Petersburg.
1 Self-portrait in a letter to N. Gnedich, March 2, 1807. Ink on paper. K.Batyushkov. 2 Self-portrait in a letter to N. Gnedich, June 1807. Ink on paper. K.Batyushkov.
Frontispiece of the first volume of Zhukovsky’s Collected Works. St. Petersburg, 1849. Woodcut after Zhukovsky’s drawings.
“Maman”. 1840. Pencil on paper. 22.3×27.5. From sketchbook of German, Swiss and Italian views. State Public Library. Saint-Petersburg
Landscape. 1848-1849. Pencil on paper. 19.3 x 24.3. From sketchbook of German and Swiss views. State Public Library. Saint-Petersburg
A room in the Pavlovsk Palace. The 1820s. Watercolour on paper. 12.4×16.4. Literature Museum. Moscow.
Moscow. 1841. Pencil on paper. 18.5×23.5. From sketchbook of travels in Germany and Russia. State Public Library. Saint-Petersburg.
Miskhor. 1838(7). Lithograph by I.-A.Lazinsky. Literature Museum. Moscow.
View from the rooftop of the Vorontsov Palace in Alupka. 1838(7). Lithograph by I.-A.Lazinsky. Literature Museum. Moscow
Landscape. 1848-1849. Pencil on paper. 19.3 x 24.3. From sketchbook of German and Swiss views. State Public Library. Saint-Petersburg
Church-yard in Windsor. Illustration to Thomas Grey’s “Elegy Written in a Country Church-yard”. 1839. Lithograph.
Wiland’s tomb. 1838. Pencil on paper. 22.3×27.5. From sketchbook of German, Swiss and Italian views. State Public Library. Saint-Petersburg.
Goethe’s house in Weimar. 1827. Pencil and ink on paper. 13.8×24. From sketchbook of the journey to Germany, France and Belgium. State Public Library. Saint-Petersburg.
Villa Mills. N.Gogol. 1839. Pencil on paper. 22.2×27.5. From sketchbook of the journey to Italy, Austria, Germany and Holland. State Public Library. Saint-Petersburg
Aqua Paulina. N. Gogol. 1839. Pencil on paper. 22.2×27.5. From sketchbook of the journey to Italy, Austria, Germany and Holland. State Public Library. Saint-Petersburg.
Villa Volkonsky. P.Krivtsov, Z. Volkonskaya and N.Gogol. 1839. Pencil on paper. 22.2×27.5. From sketchbook of the journey to Italy, Austria, Germany and Holland. State Public Library. Saint-Petersburg
Warwick Castle. 1839. Pencil on paper. 14 x 23. From sketchbook of travels in Russia, England and Germany. State Public Library. Saint-Petersburg.
Lago di Como. 1838. Pencil on paper. 22.3×27.5. From sketchbook of German, Swiss and Italian views. State Public Library. Saint-Petersburg.
Illes Borromes. 1838. Pencil on paper. 13.5×22.3. From sketchbook of German, Swiss and Italian views. State Public Library. Saint-Petersburg.
Stanz. 1821. Ink on paper. 7.4×18. From sketchbook of the journey to Switzerland and Germany. State Public Library Saint-Petersburg.
Geneva. 1821. Ink on paper. 7.5×17.9. From sketchbook of the journey to Switzerland and Germany. State Public Library. Saint-Petersburg.
V.Zhukovsky (1783-1852) Shamouny. 1821. Ink on paper. 5×18.8. From sketchbook of the journey to Switzerland and Germany. State Public Library Saint-Petersburg
Drawing in the draft of the fable “The Separation”. 1812. State Public Library Saint-Petersburg.
I.Krylov (1769-1844). Drawing (self-caricature?) in the text of the fable “The Dragonfly and the Ant”. The late 1800s or early 1810s. State Public Library Saint-Petersburg.
A.Bolotov (1738-1833) Self-portrait: Bolotov in his study. 1789
G.Derzhavin (1743-1816). Self-portrait (?). The 1770s
The battle of Poltava. 1764. Mosaic. 460 x 600. End wall of the staircase in the main building of the Russia Academy of Sciences, Saint-Petersburg. Peter 1 A Russian grenadier Russian and Swedish soldiers Russian banners Russian generals A fallen Swedish soldier Background view of the town of Poltava Karl XII
Tailpiece of “The Life of Avvakum” in the Pustozersk Collection. Department of Manuscripts.