P.Kireyevsky (1808-1856). A village church. Paper silhouette. The 1840s. 6×10. From the album of A. Yelagina. Literature Museum. Moscow.
The silhouettes of E.Baratynsky. The 1840s. E. Baratynsky. “Poetical Works”. Moscow.
I.Kireyevsky (1806-1856) The silhouette of A.Pushkin. The 1840s.
Reinhold Moritzevich Gliere (1875-1956), composer and conductor. Professor of composition and polyphony (1920-1941).
P. Tchesnokov. Choir and Its Conducting. Teaching aid for choral conductors (1940).
Pavel Grigoryevich Tchesnokov (1877-1944), choral conductor, composer. Teacher of choral science and choral conducting (1920-1944, since 1921 – professor)
Nickolai Mikhailovich Danilin (1878-1945), choral conductor. Theater of special choral subjects (1923-1945, since 1930-professor).
Nickolai Alexandrovich Garbuzov (1880-1935), composer, musicologist. Professor of musical acoustics (1923-1951), director of the Research Instute at the Conservatoire (1934-1937), head of the acoustical laboratoty (1933-1948).
Nadezhda Yakovlevna Bryusova (1881-1951), music educator, musicologist. Teacher of theory of music and music folklore (1921-1943, since 1921- professor (1922-1928). Together with Semyon Isaakovich Schliefstein (1903-1975), a graduate of the Conservatoire, in the USSR peoples` history of music study (the 1940s).
The Conservatoire Music Library.
Stanislav Teofilovich Shatsky (1878-1934), singer, music and public figure. Director (1932-1934).
Valentina Nickolayevna Shatskaya (nee Demyanova) 1882-1978, pianist, music and public figure. Teacher of methodology in music education for children (1932-1943), since 1935- professor, deputy director and acting director (1935-1939).
A.V. Lunachersky and M.M. Ippolitov-Ivanov among the jury of the competition for amateur button – accordion players. Hall of Columns of the House of Trade Unions (1930).
Poster announcing the Conservatoire postgraduates` concert in the Grand Hall of the Conservatoire (1929).
Poster announcing The Conservatoire graduates` concert in the Grand Hall of the Conservatoire (1932).
Poster announcing the concert dedicated to M.P. Musorgsky and held in the Grand Hall of the Conservatoire (1931).
Professor and teachers of the Conservatoire in the Small Hall of the Conservatoire (the 1930s).
S.P. Titov (father of cosmonaut G.S. Titov) before leaving for Moscow to study at the Workers` Faculty in the Conservatoire. (1930)
Teachers of the Faculty of Music and Pedagogy at the Conservatoire (the 1930s): S.S. Skrebkov, N.R. Kotler, N.M. Danilin, V.N. Shatskaya, B.V. Levik, A.V. Nickolsky.
Georgy Lvovich Katuar (1861-1926), composer, musicologist. Professor in theory of music and composition (1917-1926).
Georgy Edwardovich Couns (1862-1933), composer, musicologist. Teacher of theory of music and composition (1891-1899, 1920-1933, since 1920 – professor). With teachers and students of the Conservatoire. Standing are: I.P. Musian, V.V. Khvostenko, N.A. Sidushin, G. K. Pukst (1927).
Maria Adrianovna Deisha- Sionitskaya (1859-1932), singer Professor of solo singing (1921-1932).
Vera Nickolayevna Petrova-Zvantseva (1876-1944), singer. Professor of solo singing (1916-1932). Merited Art Worker of the RSFSR.
Program of the chamber concert performed by N.G. Raisky`s pupils in the Small Hell of the Conservatoire (1936).
Nazary Grigoryevich Raisky (1876-1958), singer, Teacher of solo singing. Teacher of solo singing (1919-1929, 1933-1949, since 1923 – professor), (1921-1929), director of the opera studio (1934-1935). Merited Art Worker of the RSFSR.
The Road of the October. Oratorio – “musical action in three links” for choir, soloists, piano, trumpet, button-accordion and percussion ensemble (1927), a composition jointly created by the following students – composers of the Conservatoire: V.A. Bely, G.S. Bruck, A.A. Dovidenko, M.V. Koval, Z.A. Levina, S.N. Ryauzov, V.M. Tarnopolsky, N.P. Chemberdzhi, B.S. Schechter.
Students-composers, who constituted the Production Collective of the Moscow Conservatoire. First row: M.V. Koval, D.A. Rabinovich, V.A. Bely, D. Gachev. Second row: Yu. V. Keldysh, L.N. Lebedinsky, S.A. Krylova, L.L. Kaltat. Third row: A. A. Davidenko, A.A. Solovtsov, S.I. Korev, N. Ya. Vygodsky, B.S. Stinpress (1927).
Alexander Dmitriyvich Kastalsky (1856-1926), composer, music folklorist, an authority on choral culture. Professor of choral singing (1922-1926).
Peasents of the village of Maleyevo in the vicinity of Moscow listen to the radio installed by students of the Conservatoire.
Secretaries of local groups of the Komsomol branch at the Conservatoire (1927): I. Ostrovsky, A.V. Bandina, A. Yevteyev.
The Conservatoire teachers and students participating in the demonstration on the 7th of November, 1923.
Program of the Conservatoire Students` Orchestra performance in the Small Hall of the Conservatoire (1918).
The Act effecting the transfer of the immovable of the Moscow Branch of the Russian Music Society into the care of the Moscow Conservatoire (1918).
The Decree on the Moscow and Petrograd Conservatoires singed by V.I. Lenin and A.V. Lunacharsky (1918).
The Internationale. Arranged for choir by A.D. Kastalsky. Cover of the edition.
Report on the Moscow music community meeting and the setting up of the Music Council (1918).
Singing mass songs in the square in front of the Bolshoi Theater (1918).
A group of participants at the Firat Congress of conservatory directors and art-board members of Russia. A page from the “Ves Mir” (“Entire World”) magazine, Iss №3, 1917.
The second Honours` Board at the Conservatoire.
Yelena Klementyevna Katulskaya among wounded soldiers in the hospital during World War I (1915).
Victor Ivanovich Sadovnikov (1886-1963), pupil of U.A. Massety, A.A. Iljnsky, S.I. Taneyev and R.M. Gliere, singer, composer, conductor. Professor of choral and operatic ensemble (1922-1930), solo singing (1934-1937). Among the wounded (sitting second from left) in the hospital quartered at the Petrograd College of Law (1915)
Program or the charity concert for the benefit of the war victims. (1915).
A.Khomyakov (1804-i860). Self-portrait. The 1830s. Oil on canvas. 73 x 56. The Abramtsevo Museum.
K.Pavlova (1807-1893) Portrait of N. Gogol.
Gogol’s last drawing. 1852. Ink on paper. Institute of Russian Literature. Saint-Petersburg.
Cover of the first edition of the poem “Dead Souls”. Moscow, 1842
Sketches of A.Pushkin’s portrait. 1838 (?). Ink on paper. 9,8 x 10. State Public Library. Saint-Petersburg.
An Italian landscape. The late 1830s. Pencil on paper. 9.5×12.5 Literature Museum. Moscow.
Sketches. The late 1830s. Ink on paper. 28.5 X21.6.
Two sketches of a cathedral. The 1830s. Ink on paper. 23X12.1. State Public Library. Saint-Petersburg.
A cathedral. The 1830s. Ink on paper. 14×8.1. Institute of Russian Literature. Saint-Petersburg.
Sketch of cover for “The Nose”. The 1830s (?). Ink on paper. 34.5×22.6. State Public Library. Saint-Petersburg.
Title page of “Arabesques”. St.Petersburg, 1835. A cathedral. The 1830s. Ink on paper. 14×8.1. Institute of Russian Literature. Saint-Petersburg.
Architectural sketches and the outline of “Arabesques”. 1834. Ink on paper. 34×22. Institute of Russian Literature. Saint-Petersburg.
Architectural sketches. 1834 (?). Pencil on paper. 18.8×22. Institute of Russian Literature. Saint-Petersburg.
The house at Vasilyevka. From the manuscript book “Hotchpotch” . The 1820s. “The Works of N.Gogol”. 10thedition. Vol.7. Moscow, 1889
Portrait of a woman. The 1820s (?). Pencil on paper. Reference Department, fund 3, No. 8178. Photocopy from the Shevchenko Museum of Ukrainian Literature. Kiev. Institute of Russian Literature. Saint-Petersburg.
Landscape. The 1820s (?). Pencil on paper. Reference Department, fund 3, No. 8180. Photocopy from the Shevchenko Museum of Ukrainian Literature. Kiev. Institute of Russian Literature. Saint-Petersburg.
Portrait of a woman. The 1820s (?). Pencil on paper. Reference Department, fund 3, No. 8177. Photocopy from the Shevchenko Museum of Ukrainian Literature. Kiev. Institute of Russian Literature. Saint-Petersburg.
Caricature in the draft of the poem “The New Year 1827”. 1826. Pencil on paper. State Public Library. Saint-Petersburg.