Victor Ivanovich Sadovnikov (1886-1963), pupil of U.A. Massety, A.A. Iljnsky, S.I. Taneyev and R.M. Gliere, singer, composer, conductor. Professor of choral and operatic ensemble (1922-1930), solo singing (1934-1937). Among the wounded (sitting second from left) in the hospital quartered at the Petrograd College of Law (1915)
Program or the charity concert for the benefit of the war victims. (1915).
A.Khomyakov (1804-i860). Self-portrait. The 1830s. Oil on canvas. 73 x 56. The Abramtsevo Museum.
K.Pavlova (1807-1893) Portrait of N. Gogol.
Gogol’s last drawing. 1852. Ink on paper. Institute of Russian Literature. Saint-Petersburg.
Cover of the first edition of the poem “Dead Souls”. Moscow, 1842
Sketches of A.Pushkin’s portrait. 1838 (?). Ink on paper. 9,8 x 10. State Public Library. Saint-Petersburg.
An Italian landscape. The late 1830s. Pencil on paper. 9.5×12.5 Literature Museum. Moscow.
Sketches. The late 1830s. Ink on paper. 28.5 X21.6.
Two sketches of a cathedral. The 1830s. Ink on paper. 23X12.1. State Public Library. Saint-Petersburg.
A cathedral. The 1830s. Ink on paper. 14×8.1. Institute of Russian Literature. Saint-Petersburg.
Sketch of cover for “The Nose”. The 1830s (?). Ink on paper. 34.5×22.6. State Public Library. Saint-Petersburg.
Title page of “Arabesques”. St.Petersburg, 1835. A cathedral. The 1830s. Ink on paper. 14×8.1. Institute of Russian Literature. Saint-Petersburg.
Architectural sketches and the outline of “Arabesques”. 1834. Ink on paper. 34×22. Institute of Russian Literature. Saint-Petersburg.
Architectural sketches. 1834 (?). Pencil on paper. 18.8×22. Institute of Russian Literature. Saint-Petersburg.
The house at Vasilyevka. From the manuscript book “Hotchpotch” . The 1820s. “The Works of N.Gogol”. 10thedition. Vol.7. Moscow, 1889
Portrait of a woman. The 1820s (?). Pencil on paper. Reference Department, fund 3, No. 8178. Photocopy from the Shevchenko Museum of Ukrainian Literature. Kiev. Institute of Russian Literature. Saint-Petersburg.
Landscape. The 1820s (?). Pencil on paper. Reference Department, fund 3, No. 8180. Photocopy from the Shevchenko Museum of Ukrainian Literature. Kiev. Institute of Russian Literature. Saint-Petersburg.
Portrait of a woman. The 1820s (?). Pencil on paper. Reference Department, fund 3, No. 8177. Photocopy from the Shevchenko Museum of Ukrainian Literature. Kiev. Institute of Russian Literature. Saint-Petersburg.
Caricature in the draft of the poem “The New Year 1827”. 1826. Pencil on paper. State Public Library. Saint-Petersburg.
A little dog. The 1820s. Pencil and watercolour on paper. 19.8 x 25. State Public Library. Saint-Petersburg.
“The Prince of Wiirttemberg”. The early 1820s. Ink on paper. 17×9.7. Institute of Russian Literature. Saint-Petersburg.
A marksman. 1831. Pencil on paper. 22×20.8. State Public Library. Saint-Petersburg.
View of Finland. Drawing to the poem “My Artless Pencil. . .” 1831 (?). Pencil on paper. From the album of A.Baratynskaya. Central State Archives of Literature and Art. Moscow.
Two warriors. 1822 (?). Pencil on paper. 9.5 x 8. Institute of Russian Literature. Saint-Petersburg.
A tree. Illustration to E.-D.Parny’s poem “Bel arbre, pourquoi conserver . . .” 1831 (?). Pencil on paper. From the album of A.Baratynskaya. Central State Archives of Literature and Art. Moscow.
Self-portrait in the text of the poem “The Mysteries of Love . . .?”. 1826. Pencil on paper. Central State Archives of Literature and Art. Moscow.
Landscape with pine trees. The 1820s (?). Ink on paper. Institute of Russian Literature. Saint-Petersburg.
Don Juan. Illustration to the drama “The Stone Guest”. 1830. Ink on paper. Institute of Russian Literature. Saint-Petersburg.
“Dramatic Scenes”. Ink on paper. 1830. Institute of Russian Literature. Saint-Petersburg.
Portrait of A. Delvig. 1829 (?). From the album of E.Ushakova. Pencil on paper. Institute of Russian Literature. Saint-Petersburg.
Portrait of N. Gogol. 1833. Pencil on paper. Institute of Russian Literature. Saint-Petersburg.
Portrait of A. Griboyedov. 1831. Pencil on paper. Institute of Russian Literature. Saint-Petersburg.
Portrait of E. Baratynsky in the draft of the second canto of the poem “Poltava”. 1828. Ink on paper. Institute of Russian Literature. Saint-Petersburg.
Cover of the manuscript text of the article “Voltaire”. 1836. Ink on paper. Institute of Russian Literature. Saint-Petersburg.
Illustration to “The Tale of the Priest and His Workman Balda”. 1830. Pencil and ink on paper. Institute of Russian Literature. Saint-Petersburg.
Vignette to the poem “The Wanderer”. 1835. Ink on paper. Institute of Russian Literature. Saint-Petersburg.
The funeral procession. Illustration to the story “The Undertaker”. 1830. Ink on paper. Institute of Russian Literature. Saint-Petersburg.
The tea party. Illustration to the story “The Undertaker”. 1830. Ink on paper. Institute of Russian Literature. Saint-Petersburg.
Self-portrait in a felt cloak, on horseback. 1829. From the album of E. Ushakova. Ink on paper. Institute of Russian Literature. Saint-Petersburg.
A bird. Drawing in the title of “A History of the Village of Goryukhino”. 1830. Ink on paper. Institute of Russian Literature. Saint-Petersburg.
Self-portrait. 1827-1830. From the album of E.Ushakova. Ink on paper. Institute of Russian Literature. Saint-Petersburg.
Portrait of N. Pushkina in the draft of the poem “The Bronze Horseman”. 1833. Ink on paper. Institute of Russian Literature. Saint-Petersburg.
Windswept landscape with a figure. Drawing in the draft of the first canto of the poem “Poltava”. 1828. Ink on paper. Institute of Russian Literature. Saint-Petersburg.
The Daryal Canyon. Drawing in the text of the poem “Fearful and Sad”. 1829. Ink on paper. Institute of Russian Literature. Saint-Petersburg
Pushkin and Onegin. Drawing in a letter to L.Pushkin, November 1824. Pencil on paper. Institute of Russian Literature. Saint-Petersburg.
Portrait of D. Venevitinov in the draft of the introduction to chapters eight and nine of the novel “Eugene Onegin”. 1830. Ink on paper. Institute of Russian Literature. Saint-Petersburg
Self-portrait, portraits of I. Pushchin, A. Delvig, V.Kukhelbeker and K.Ryleyev in the draft of chapter five of the novel “Eugene Onegin”. 1826. Ink on paper. Institute of Russian Literature. Saint-Petersburg.
Portrait of D. Davydov in the draft of “Excerpts from Onegin’s Journey”. 1825. Ink on paper. Institute of Russian Literature. Saint-Petersburg.
Two self-portraits. 1826. Ink on paper. Institute of Russian Literature. Saint-Petersburg
Tatyana. Drawing in the draft of “Tatyana’s Letter to Onegin”. 1824. Ink on paper. Institute of Russian Literature. Saint-Petersburg.
Self-portrait; M.Rayevskaya. Drawings in the draft of chapter one of the novel “Eugene Onegin”. 1823. Ink on paper. Institute of Russian Literature. Saint-Petersburg
The group of members of the Moscow Commission on Music Ethnography.
A page of the Russian Musical Gazette dedicated to the 50th anniversary of the Moscow Branch of the Russian Music Society (1912)
The mustal benefit club for students of the Conservatoire. Ye. V. Bogoslovsky, A.G. Schor, L.V. Nickolayev, M.S. Nemanova-Lunz (1905).
Participants of the students` performance. The Mandarins` Son. C.A. Ippolitov-Ivanov, condudtor of the performance, is in far left, and producing director N.N. Zvantsen is second from left (1917).
The programs of students`s operatic performances conducted by M.M. Ippolitov- Ivanov.
Mikhail Mikhailovich Ippolitov – Ivanov (1859-1935), composer, conductor, music and public figure. People`s Artist of the RSFSR. Teacer of harmony, instrumentation, free composition, operatic class (1893-1935, since 1893 – professor), director (1905-1918), rector (1918-1922).
A.N. Scriabin. The portratit painted by A. Ya. Golovin.
A. N. Skrabin playing his poem Prometheus with orchestra conducted by S.A. Koussevitzky. Painting by L.O. Pasternak.