A.N. Scriabin.
A.N. Scriabin. The portratit painted by A. Ya. Golovin.
A.N. Scriabin. The portratit painted by A. Ya. Golovin.
A. N. Skrabin playing his poem Prometheus with orchestra conducted by S.A. Koussevitzky. Painting by L.O. Pasternak.
Alexsander Nickolayevich Scrabin (1872-1915), composer, pianist. Professor of piano (1898-1903). With his pupils.
One of piano classrooms in the Conservatoire.
The Conservatoire building after reconstruction (the 1900s).
Grand Hall of the Conservatoire: interior eragment (St. Cecily stainglass wimdow) of the foyer by the stalls (the 1900s).
Grand Hall of the Conservatoire: a seatarrangement scheme.
The building reconstruction and new concert hall design for the Conservatoire.
A.V. Nezdhdanova (pupil of U.A. Masetti), V.R. Petrov (pupil of A.I. Barzal) and E. Gan (pupil of Ye. A. Lavrovskaya) during rehearsals for the students` examination performance of O. Nicolai`s opera Die lustigen Weiber von Windsor (the Bolshoi Theatre (1900)
Umberto Avgustovich Masetti (1869-1919), Italian singer. Professor of solo singing.
Lev (Leone) Giraldoni (1826-1897), Italian singer. Professor of solo singing (1890-1897).
Camilio Everardi (1825-1899), Italian singer. Professor of solo sining (1898-1899).
Varvara Mikhailovna Zarudnaya-Ivanova (1857-1939), singer. Professor of solo singing (1893-1924).
Concert program, featuring the performance of the Conservatotie Students` Orchestra conducted by V.I. Safonov 1890.
Vassily Iljich Safonov (1852-1918), pianist, conductor, music and public figure. Professor of piano, orchestral, choral and chamber ensemble (1885-1905), director (1889-1905).
Scene from the first production of S.V. Rachmaninov`s opera “Aleko”. The Bolshoi Theater 1893.
Concert program, featuring works by the Conservatoire student S.V. Rachmaninov 1892.
Sergei Vassilyevich Rachmaninov (1873-1943), composer, pianist, conductor.
A.S. Arensky, N.N. Zvantsev and S.I. Taneyev in one of the class-room at the Conservatoire.
Anton Stepanovich Arensky (1861-1906), composer, pianist, conductor. Teacher of theoretical subjects (1882-1895, since. 1889 – professor). With his pupils. G.E. Conus, N.S. Morozov, A.S. Arensky, S.V. Rachmaninov 1892.
S.I. Taneyev and V.I. Safonov.
Ferruccio Busoni (1866-1924), pianist, composer. Professor of piano.
Povel Avgustovich Pabst (1854-1897), pianist, composer. Teacher of piano, since, professor.
Stepan Vassilyevich Smolensky (1848-1909), choral conductor, paleographer, researcher of Russian church singing. Professor in history of Russian church singing. 1889-1901).
Playbill of the second concert to commemorate the opening of M.I. Glinka`s Monument in Smolensk 1885.
The Mounument to M.I. Glinka in Smolensk by sculptor A. von Blok 1885.
Alexender Tikhonovich Grechaninov (1864-1956), pupil of S.I. Taneyev, composer.
S.I. Taneyev`s pupils: Leonid Vladimirovich Nickolayev )1878-1942), pianist, composer, pedagogue, People`s Artist of the RFSFSR, and Reinhold Moritzevich Gliere (1875-1956), composer, conductor, professor of the Conservatotie (1920-1941), People`s Artist of the USSR, Laureate or the USSR State Prize.
Yuili Dmitriyevich Engel 1868-1927, pupil of S.I. Taneyev, music critic, composer, music and public figure.
S.I. Taneyev. “Imitative Counterpoint in Strict”. Cover of the edition.
A page from B.L. Yavorsky`s student work on forms with marks made by S.I. Taneyev.
Anatoly Ivanovich Galli 1853-1915, pianist, composer. Teacher of piano 1879-1909.
Ivan Voizekhovich Hrimaly 1844-1915, violinist. Teacher of violin 1869-1915, since 1874 professor.
Ida Ivanovna Eichenwald 1842-1917, harpist. Professor of harp 1875-1906.
A Circassian against the background of Mt. Beshtau. Illustration to the poem “The Captive of the Caucasus”. 1821-1822. Ink on paper. Institute of Russian Literature. Saint-Petersburg
Self-portrait. 1817-1818 (?). Ink on paper. Institute of Russian Literature. Saint-Petersburg.
“Worthy physiognomies”. 1826 (?). Ink on paper. 30 x 17. Institute of Russian Literature. Saint-Petersburg
A bull. 1830 (?) Coloured pencil, watercolour, gouache on paper. 17×12. Literature Museum. Moscow.
A horse. The 1820s. Pencil and watercolour on paper. 13.2 x 14.7. Institute of Russian Literature. Saint-Petersburg
Napoleon. The 1820s. Coloured pencil on paper. 14.7×10. Institute of Russian Literature. Saint-Petersburg
Landscape with horses. 1830. Watercolour on paper. 12.5×14.7. From the album of P. and S.Batyushkov. State Public Library. Saint-Petersburg
Landscape with a house. 1830 (?). Pencil and watercolour on paper. 18.1×12.8. Institute of Russian Literature. Saint-Petersburg
Self-portrait. 1830. Pencil on paper. 11,2×17,3 Literature Museum. Moscow
Portrait of V.Zhukovsky. 1810. Pencil on paper. 32.3 x 20.5. Literature Museum. Moscow
Self-portrait. 1822 (?). Pencil on paper. 21.7×17. From the album of S. Ponomaryova. Central State Archives of Literature and Art. Moscow.
Self-portrait. 1818 (?). Pencil on paper. 21.7×17. From the album of S. Ponomaryova. Literature Museum. Moscow.
S. Ponomaryova with her dame de compagnie. 1818 (?). Pencil on paper. 21.7×17. From the album of S.Ponomaryova. Central State Archives of Literature and Art. Moscow.
Strolling acrobats. 1822 (?). Pencil on paper. 21.7×17. From the album of S. Ponomaryova. Central State Archives of Literature and Art. Moscow.
At the Fair. 1818 (?). Pencil on paper. 43.4 x 17. From the album of S. Ponomaryova. Central State Archives of Literature and Art. Moscow.
Illustration to A.Voyeikov’s satire “Madhouse”. 1814 (7). Ink on paper. 11.7×14. Institute of Russian Literature. Saint-Petersburg
Illustration to the poem “The Maple Tree”. 1817-1818 (?). Pencil on paper. Institute of Russian Literature. Saint-Petersburg
Illustration to the poem “God of Paphos …” 1809. Pencil on paper. 11.5×14.1. State Public Library. Saint-Petersburg.
Sketches in the writing-book “Sundry Observations”. 1807-1810. Pencil and ink on paper. 21.1×12. Institute of Russian Literature. Saint-Petersburg.
1 Self-portrait in a letter to N. Gnedich, March 2, 1807. Ink on paper. K.Batyushkov. 2 Self-portrait in a letter to N. Gnedich, June 1807. Ink on paper. K.Batyushkov.
Frontispiece of the first volume of Zhukovsky’s Collected Works. St. Petersburg, 1849. Woodcut after Zhukovsky’s drawings.
“Maman”. 1840. Pencil on paper. 22.3×27.5. From sketchbook of German, Swiss and Italian views. State Public Library. Saint-Petersburg
Landscape. 1848-1849. Pencil on paper. 19.3 x 24.3. From sketchbook of German and Swiss views. State Public Library. Saint-Petersburg
A room in the Pavlovsk Palace. The 1820s. Watercolour on paper. 12.4×16.4. Literature Museum. Moscow.
Moscow. 1841. Pencil on paper. 18.5×23.5. From sketchbook of travels in Germany and Russia. State Public Library. Saint-Petersburg.