Landscape with pine trees. The 1820s
Landscape with pine trees. The 1820s (?). Ink on paper. Institute of Russian Literature. Saint-Petersburg.
Don Juan. Illustration to the drama “The Stone Guest”. 1830
Don Juan. Illustration to the drama “The Stone Guest”. 1830. Ink on paper. Institute of Russian Literature. Saint-Petersburg.
“Dramatic Scenes”. Ink on paper. 1830
“Dramatic Scenes”. Ink on paper. 1830. Institute of Russian Literature. Saint-Petersburg.
Portrait of A. Delvig. 1829
Portrait of A. Delvig. 1829 (?). From the album of E.Ushakova. Pencil on paper. Institute of Russian Literature. Saint-Petersburg.
Portrait of N. Gogol. 1833
Portrait of N. Gogol. 1833. Pencil on paper. Institute of Russian Literature. Saint-Petersburg.
Portrait of A. Griboyedov. 1831.
Portrait of A. Griboyedov. 1831. Pencil on paper. Institute of Russian Literature. Saint-Petersburg.
Portrait of E. Baratynsky in the draft of the second canto of the poem “Poltava”. 1828
Portrait of E. Baratynsky in the draft of the second canto of the poem “Poltava”. 1828. Ink on paper. Institute of Russian Literature. Saint-Petersburg.
Cover of the manuscript text of the article “Voltaire”. 1836
Cover of the manuscript text of the article “Voltaire”. 1836. Ink on paper. Institute of Russian Literature. Saint-Petersburg.
Illustration to “The Tale of the Priest and His Workman Balda”. 1830
Illustration to “The Tale of the Priest and His Workman Balda”. 1830. Pencil and ink on paper. Institute of Russian Literature. Saint-Petersburg.
Vignette to the poem “The Wanderer”. 1835
Vignette to the poem “The Wanderer”. 1835. Ink on paper. Institute of Russian Literature. Saint-Petersburg.
The funeral procession. Illustration to the story “The Undertaker”. 1830
The funeral procession. Illustration to the story “The Undertaker”. 1830. Ink on paper. Institute of Russian Literature. Saint-Petersburg.
The tea party. Illustration to the story “The Undertaker”. 1830.
The tea party. Illustration to the story “The Undertaker”. 1830. Ink on paper. Institute of Russian Literature. Saint-Petersburg.
Self-portrait in a felt cloak, on horseback. 1829.
Self-portrait in a felt cloak, on horseback. 1829. From the album of E. Ushakova. Ink on paper. Institute of Russian Literature. Saint-Petersburg.
A bird. Drawing in the title of “A History of the Village of Goryukhino”. 1830.
A bird. Drawing in the title of “A History of the Village of Goryukhino”. 1830. Ink on paper. Institute of Russian Literature. Saint-Petersburg.
Self-portrait. 1827-1830.
Self-portrait. 1827-1830. From the album of E.Ushakova. Ink on paper. Institute of Russian Literature. Saint-Petersburg.
Portrait of N. Pushkina in the draft of the poem “The Bronze Horseman”. 1833.
Portrait of N. Pushkina in the draft of the poem “The Bronze Horseman”. 1833. Ink on paper. Institute of Russian Literature. Saint-Petersburg.
Windswept landscape with a figure. Drawing in the draft of the first canto of the poem “Poltava”. 1828
Windswept landscape with a figure. Drawing in the draft of the first canto of the poem “Poltava”. 1828. Ink on paper. Institute of Russian Literature. Saint-Petersburg.
The Daryal Canyon. Drawing in the text of the poem “Fearful and Sad”. 1829
The Daryal Canyon. Drawing in the text of the poem “Fearful and Sad”. 1829. Ink on paper. Institute of Russian Literature. Saint-Petersburg
Pushkin and Onegin. Drawing in a letter to L.Pushkin, November 1824
Pushkin and Onegin. Drawing in a letter to L.Pushkin, November 1824. Pencil on paper. Institute of Russian Literature. Saint-Petersburg.
Portrait of D. Venevitinov in the draft of the introduction to chapters eight and nine of the novel “Eugene Onegin”. 1830
Portrait of D. Venevitinov in the draft of the introduction to chapters eight and nine of the novel “Eugene Onegin”. 1830. Ink on paper. Institute of Russian Literature. Saint-Petersburg
Self-portrait, portraits of I. Pushchin, A. Delvig, V.Kukhelbeker and K.Ryleyev in the draft of chapter five of the novel “Eugene Onegin”. 1826
Self-portrait, portraits of I. Pushchin, A. Delvig, V.Kukhelbeker and K.Ryleyev in the draft of chapter five of the novel “Eugene Onegin”. 1826. Ink on paper. Institute of Russian Literature. Saint-Petersburg.
Portrait of D. Davydov in the draft of “Excerpts from Onegin’s Journey”. 1825.
Portrait of D. Davydov in the draft of “Excerpts from Onegin’s Journey”. 1825. Ink on paper. Institute of Russian Literature. Saint-Petersburg.
Two self-portraits. 1826.
Two self-portraits. 1826. Ink on paper. Institute of Russian Literature. Saint-Petersburg
Tatyana. Drawing in the draft of “Tatyana’s Letter to Onegin”. 1824.
Tatyana. Drawing in the draft of “Tatyana’s Letter to Onegin”. 1824. Ink on paper. Institute of Russian Literature. Saint-Petersburg.
Self-portrait; M.Rayevskaya. Drawings in the draft of chapter one of the novel “Eugene Onegin”. 1823.
Self-portrait; M.Rayevskaya. Drawings in the draft of chapter one of the novel “Eugene Onegin”. 1823. Ink on paper. Institute of Russian Literature. Saint-Petersburg
A Circassian against the background of Mt. Beshtau. Illustration to the poem “The Captive of the Caucasus”. 1821-1822.
A Circassian against the background of Mt. Beshtau. Illustration to the poem “The Captive of the Caucasus”. 1821-1822. Ink on paper. Institute of Russian Literature. Saint-Petersburg
A.Pushkin (1799-1837)
Self-portrait. 1817-1818 (?). Ink on paper. Institute of Russian Literature. Saint-Petersburg.