Vase
1860s Colourless glass, milk glass and gold ruby glass with facet-cutting Maltsov Glasshouse History Museum, Moscow
Bowl
1890s Yellow glass with lustre painting and enamelling Diatkovo Glassworks History Museum, Moscow
Tankard
1860s Light-blue smalt glass, with silver decoration and enamelling Bakhmetyev Glasshouse History Museum, Moscow
Goblet
Late 1700s Blue glass with gilded decoration St. Petersburg Imperial Glass Factory History Museum, Moscow
Goblet
1750s Colourless glass with facet-cutting, engraving, gilding and niello St. Petersburg Glass Factory History Museum, Moscow
Goblet with a scene of galanterie
1750s Colourless glass with facet-cutting, engraving and gilding Maltsov Glasshouse History Museum, Moscow
Fancy goblet
Late 1600s Colourless and lilac glass, free blowing By Indrik Lerin, Izmailovo Glasshouse History Museum, Moscow
Carafe and wine glasses. 1860s
Colourless and milk glass with facet-cutting and engraving St. Petersburg Imperial Glass Factory History Museum, Moscow
Carafe. Late 1700s
Gold ruby glass with gilded decoration St. Petersburg Imperial Glass Factory History Museum, Moscow
Lidded cup and goblet with a representation of Nike over the map of Europe 1810s
Colourless crystal glass with facet-cutting, gilding and enamelling; medallions of milk glass St. Petersburg Imperial Glass Factory History Museum, Moscow
George. Ikona.XIV in. Paintings in the Church of the Nativity of the Virgin in Feropontove.
George. Ikona.XIV in. Paintings in the Church of the Nativity of the Virgin in Feropontove. Icon – demonstrates the mutual influence of the surrounding area and the nature of color forms of monumental painting. The frescoes are organically linked with the tectonics of interior and less saturated in color than the icons (especially material). Icons…
Voznesseniya Church in Kolomna
Voznesseniya Church in Kolomna, according to legend was built on the occasion of the birth of Ivan the Terrible. In 1532.
Maxim the Greek
Portrait of Maxim the Greek. Picture of the manuscript. End of the XVI century.
Saint Joseph Volotsky
Saint Joseph Volotsky (1439-1515), a prominent religious figure, led the struggle against heresy “Judaizers”, author of “The Illuminator”. Thumbnail manuscript of XVII century.
Medieval weapons.
Helm of Prince Ivan, son of Ivan the Terrible XVI century.
Alexander’s settlement
Alexander’s settlement – the residence of Ivan the Terrible. Engraving by J. Ulfelda. XVI century.
Print Russian governor of Livonia during Ivan the Terrible. 1564
Sphragistics (or sigillografiya) (from Lat. Sigillum – Printing) – auxiliary historical discipline that studies the press (the matrix) and their impressions.
The guardsmen.
Artist Nikolai neuritis. 1904 Museum of Fine Arts in Kyrgyzstan.
Ivan IV
Ivan IV shows the treasures of the British Ambassador John Horsey. Artist A. Litovchenko. In 1875.
Ivan the Terrible and his son Ivan.
The artist Ilya Repin. 1885
The entry of the Russian army to Kazan.
Thumbnail of ‘Personal Chronicles’ XVI century.
Tsar Ivan IV the Terrible.
German woodcut. XVI century.
Ivan the Terrible, and Vladimir Monomakh on the icon of the “Church militant.”
2nd half of the XVI century.
Virgin of Smolensk, Novodevichy Convent in Moscow
Virgin of Smolensk, Novodevichy Convent in Moscow. Founded in 1525 the Grand Prince Vasily III to commemorate the capture of Smolensk by Russian troops in 1514 and in the name of the Smolensk Icon of the Mother of God, the main sanctuary of Smolensk. Cathedral – 1525, the walls of the end of XVII century,…
Portrait of Vasily III.
German engraving. XVI century.
Vasily III
Grand Prince of Moscow and All Russia, the Tsar Vasily III. German engraving of XVI century.
Saint Theodosius.
Saint Theodosius. Fresco in the Assumption Cathedral of Moscow Kremlin. The beginning of the XVI century.
Picture of Ivan III and his family
Picture of Ivan III and his family on the embroidered veil of his wife Helen Voloshanki. The end of the XV century.
Prince of Moscow.
Prince of Moscow. German engraving of XVI century.
Sphragistics
Printing of Grand Duke Ivan III in Mayor literacy Kolyvan (Revel). Sphragistics (or sigillografiya) (from Lat. Sigillum – Printing) – auxiliary historical discipline that studies the press (the matrix) and their impressions.
The work of monks in the monastery
Thumbnail XVI century.