Maria Adrianovna Deisha- Sionitskaya (1859-1932), singer Professor of solo singing (1921-1932).
Vera Nickolayevna Petrova-Zvantseva (1876-1944), singer. Professor of solo singing (1916-1932). Merited Art Worker of the RSFSR.
Program of the chamber concert performed by N.G. Raisky`s pupils in the Small Hell of the Conservatoire (1936).
Nazary Grigoryevich Raisky (1876-1958), singer, Teacher of solo singing. Teacher of solo singing (1919-1929, 1933-1949, since 1923 – professor), (1921-1929), director of the opera studio (1934-1935). Merited Art Worker of the RSFSR.
The Road of the October. Oratorio – “musical action in three links” for choir, soloists, piano, trumpet, button-accordion and percussion ensemble (1927), a composition jointly created by the following students – composers of the Conservatoire: V.A. Bely, G.S. Bruck, A.A. Dovidenko, M.V. Koval, Z.A. Levina, S.N. Ryauzov, V.M. Tarnopolsky, N.P. Chemberdzhi, B.S. Schechter.
Students-composers, who constituted the Production Collective of the Moscow Conservatoire. First row: M.V. Koval, D.A. Rabinovich, V.A. Bely, D. Gachev. Second row: Yu. V. Keldysh, L.N. Lebedinsky, S.A. Krylova, L.L. Kaltat. Third row: A. A. Davidenko, A.A. Solovtsov, S.I. Korev, N. Ya. Vygodsky, B.S. Stinpress (1927).
Alexander Dmitriyvich Kastalsky (1856-1926), composer, music folklorist, an authority on choral culture. Professor of choral singing (1922-1926).
Peasents of the village of Maleyevo in the vicinity of Moscow listen to the radio installed by students of the Conservatoire.
Secretaries of local groups of the Komsomol branch at the Conservatoire (1927): I. Ostrovsky, A.V. Bandina, A. Yevteyev.
The Conservatoire teachers and students participating in the demonstration on the 7th of November, 1923.
Program of the Conservatoire Students` Orchestra performance in the Small Hall of the Conservatoire (1918).
The Act effecting the transfer of the immovable of the Moscow Branch of the Russian Music Society into the care of the Moscow Conservatoire (1918).
The Decree on the Moscow and Petrograd Conservatoires singed by V.I. Lenin and A.V. Lunacharsky (1918).
The Internationale. Arranged for choir by A.D. Kastalsky. Cover of the edition.
Report on the Moscow music community meeting and the setting up of the Music Council (1918).
Singing mass songs in the square in front of the Bolshoi Theater (1918).
A group of participants at the Firat Congress of conservatory directors and art-board members of Russia. A page from the “Ves Mir” (“Entire World”) magazine, Iss №3, 1917.
The second Honours` Board at the Conservatoire.
Yelena Klementyevna Katulskaya among wounded soldiers in the hospital during World War I (1915).
Victor Ivanovich Sadovnikov (1886-1963), pupil of U.A. Massety, A.A. Iljnsky, S.I. Taneyev and R.M. Gliere, singer, composer, conductor. Professor of choral and operatic ensemble (1922-1930), solo singing (1934-1937). Among the wounded (sitting second from left) in the hospital quartered at the Petrograd College of Law (1915)
Program or the charity concert for the benefit of the war victims. (1915).
A.Khomyakov (1804-i860). Self-portrait. The 1830s. Oil on canvas. 73 x 56. The Abramtsevo Museum.
K.Pavlova (1807-1893) Portrait of N. Gogol.
Cover of the first edition of the poem “Dead Souls”. Moscow, 1842
Sketches. The late 1830s. Ink on paper. 28.5 X21.6.
Architectural sketches and the outline of “Arabesques”. 1834. Ink on paper. 34×22. Institute of Russian Literature. Saint-Petersburg.Details
The house at Vasilyevka. From the manuscript book “Hotchpotch” . The 1820s. “The Works of N.Gogol”. 10thedition. Vol.7. Moscow, 1889
Caricature in the draft of the poem “The New Year 1827”. 1826. Pencil on paper. State Public Library. Saint-Petersburg.Details
View of Finland. Drawing to the poem “My Artless Pencil. . .” 1831 (?). Pencil on paper. From the album of A.Baratynskaya. Central State Archives of Literature and Art. Moscow.Details
A tree. Illustration to E.-D.Parny’s poem “Bel arbre, pourquoi conserver . . .” 1831 (?). Pencil on paper. From the album of A.Baratynskaya. Central State Archives of Literature and Art. Moscow.Details
Self-portrait in the text of the poem “The Mysteries of Love . . .?”. 1826. Pencil on paper. Central State Archives of Literature and Art. Moscow.Details
Don Juan. Illustration to the drama “The Stone Guest”. 1830. Ink on paper. Institute of Russian Literature. Saint-Petersburg.Details
Portrait of E. Baratynsky in the draft of the second canto of the poem “Poltava”. 1828. Ink on paper. Institute of Russian Literature. Saint-Petersburg.Details
Cover of the manuscript text of the article “Voltaire”. 1836. Ink on paper. Institute of Russian Literature. Saint-Petersburg.Details
Illustration to “The Tale of the Priest and His Workman Balda”. 1830. Pencil and ink on paper. Institute of Russian Literature. Saint-Petersburg.Details
The funeral procession. Illustration to the story “The Undertaker”. 1830. Ink on paper. Institute of Russian Literature. Saint-Petersburg.Details
The tea party. Illustration to the story “The Undertaker”. 1830. Ink on paper. Institute of Russian Literature. Saint-Petersburg.Details
Self-portrait in a felt cloak, on horseback. 1829. From the album of E. Ushakova. Ink on paper. Institute of Russian Literature. Saint-Petersburg.Details
A bird. Drawing in the title of “A History of the Village of Goryukhino”. 1830. Ink on paper. Institute of Russian Literature. Saint-Petersburg.Details